068-20 (2020) Painting by Waclaw Wantuch

Oil on Cardboard, 13x18.9 in
$2,947.26
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 2 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Cardboard
  • Dimensions Height 13in, Width 18.9in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Figurative Nude
Some paintings begin with light, others with form – this one emerged from shadow. The first idea took shape while observing the model’s hand in the dim light of the studio. The position of her fingers, the tension of the skin, the subtle play of muscles – all of it became the starting point for this sketch. This oil sketch was created on Hahnemühle [...]
Some paintings begin with light, others with form – this one emerged from shadow. The first idea took shape while observing the model’s hand in the dim light of the studio. The position of her fingers, the tension of the skin, the subtle play of muscles – all of it became the starting point for this sketch.

This oil sketch was created on Hahnemühle Museumkarton, hand-primed for oil painting. In the glazing layers, ultramarine violet and manganese brown dominate. This manganese ore comes from Norway, which I ground in my studio, transforming the raw mineral into pigment to paint this sketch.

Some paintings can be described, others are best left on their own. This one falls somewhere in between – it leaves space for silence. I will definitely develop it into a larger painting. I'm considering a tighter crop to give the form even more independence.

Related themes

Oil SketchFemale Figure PaintingHand Study ArtChiaroscuro Oil PaintingHandmade Oil Pigments

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I grind paints for my artworks using historical recipes from masters like Rembrandt, da Vinci, and Vermeer. I source pigments from rare locations—ranging from geological expeditions to specialty shops. I thicken [...]

I grind paints for my artworks using historical recipes from masters like Rembrandt, da Vinci, and Vermeer. I source pigments from rare locations—ranging from geological expeditions to specialty shops. I thicken linseed oil under the sun according to a 14th-century recipe, which adds depth and durability to my paintings. Despite available technologies, I choose traditional methods to create pieces inspired by the heritage of past masters.

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