Subjectification of odalisque Painting by Siri Skogstad Berntsen

Not For Sale

Seller Siri Skogstad Berntsen

  • Original Artwork Painting, Acrylic on Paper
  • Dimensions Height 20.5in, Width 18.9in
  • Categories Paintings under $1,000 Expressionism
The painting shows a woman in a classical art pose, (could be recognized as a part of the grande odalisque by Ingres) The title, «Subjectification», refers to the construction of the individual subject. Subjectification can be said to precede the subject in the same way as the process of individuation precedes the creation of the individual. New references, [...]
The painting shows a woman in a classical art pose, (could be recognized as a part of the grande odalisque by Ingres) The title, «Subjectification», refers to the construction of the individual subject. Subjectification can be said to precede the subject in the same way as the process of individuation precedes the creation of the individual. New references, constructed by a process where the individual finds herself at the centre of the world, changes the way we pose and choose to portray others. The woman portrayed becomes subjectified, rather than objectified, as traditionally was in this classical work. Paradoxically, this process of subjectification of the motive (the woman) happens without giving her any particular detailing. The painting can also be enjoyed just for the visual content and the colors. It can be cropped to suit a frame, (or a passepartou), it is uneven in relation to the paper, particularly on the one side. The left side has app. 0.6 to 2cm of the white paper showing, the right side has app.3.5cm.The top and the bottom have from 12 to13 cm of white paper showing. It will be signed.

Related themes

Subejctification Of OdalisquePaintingWomenPortraitsStill Life

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I explore both abstract and figurative expressions, and use several styles and techniques to communicate on moods, experience and thoughts. My abstract work moves within an expressionist or minimalist landscape. [...]

I explore both abstract and figurative expressions, and use several styles and techniques to communicate on moods, experience and thoughts. My abstract work moves within an expressionist or minimalist landscape. The works arise in combination of colourfields in relation towards each other, some times in patterns, other times coincidentally. The minimalist expressions are reflections over colour, sometimes texture. The works communicate from these starting points and are refound within the conceptual, in a communication with the viewers own thought and world of imagination.
The figurative works often describe humans, sometimes in everyday life recognizable situations, other times more portrait like and conceptual. The works communicate on moods, experience and thought, often within an expressionist tradition, sometimes conceptual. One can refind a historical heritage as well as ongoing contemporary streams in the use of motive, techniques and expressions

Be welcome to visit my website or my blog to follow my artistic development:
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