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Don't Worry, I'm Happy (2024) Photography by Marine Foissey
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Limited Edition (#2/8)
Photography,
Digital Photography
on Paper
- Number of copies available 1
- Dimensions Height 19.7in, Width 19.7in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Photographs under $5,000 Surrealism
L’oiseau de mauvaise augure a laissé un message.
- il y a pire me direz-vous -
Mais elle reste comme cette mélodie que l’on fredonne.
Elle tient à la peau sans tenir chaud.
Nous nous construisons en partie de nos échecs.
Être celui qu’on a pas choisi, qu’on prend en dernier, qu’on ne rappelle pas,
dont on oublie le prénom, qu’on n’écoute pas, qui n’est pas sur la liste.
Swipe à gauche.
L’invisible, le refusé.
L’éliminé, l’élu, le choisi, l’exclu.
Une frustration, une douleur aux airs d’infimes traumatismes marquée au fer rouge de nos mémoires.
Place-toi bien au milieu de la cible et attends.
Tout va bien dans le meilleur des mondes, te dis-je.
Rousseau aurait été bien empêtré au XXIe siècle.
L’amour de soi vs l’amour propre.
Allons-nous réussir à nous respecter nous-mêmes, à nous construire ?
Ou allons nous continuer cette compétition infinie d’être mieux que les autres ?
Résisterons-nous ?
Nous ne sommes pas des numéros sur une liste d’attente.
Nous ne sommes pas ces refus.
Nous sommes.
Peu importe les autres, le monde, les différences et les difficultés.
Le problème n’est pas d’être faible, c’est de croire qu’on l’est.
Je voudrais que ceci soit un hymne à l’amour de soi et à l’honnêteté que nous nous devons.
I choose you.
You choose yourself.
Related themes
Marine Foissey is a renowned photographer . A committed artist, she uses photography and affirms the place of discourse in her shots, which are as many positions and oppositions. His reflection is under the sign of suffering and death. Between acid irony and lucid derision, she faces them without pathos
She invests the field of the gaze by a work of recomposition of reality in the studio. She remakes the world in her image. Virtually. The large series, Impressions, the Cranial Boxes, Memento Mori, the Marines, Deadline and White-Spirit depict everyday beings, objects and places that have become strangely absurd and compacted into associations that are neither random nor automatic. All the series have been exhibited at festivals, fairs, collective and individual exhibitions.
His inspirations range from the starkness of 17th century Spanish still lifes to the purity of the marble of a sculpture, to the silences of Hopper. To the Hitchcockian innuendos, to the lost time of a phrase by Proust, to the suspended time with Bill Viola, to the glass bottle of Coca-Cola.
She is looking for a certain poetry, both in her work and in her life. Loving the idea that an image needs words or external elements that push the viewer to feel intellectually and physically what he sees. To oppose the idea that an image is sufficient unto itself. This explains the need for the artist to give titles to each of his images and to accompany the series with a text. We need words or, where appropriate, poetic sensations.
Marine Foissey is a French artist, graduated from the Paris Icart Photo School of Photography in 2010. Her works have been exhibited nationally and internationally. His latest series Fucking Perfect Life has been nominated for several international competitions (Prix de la Photographie de Paris -PX3, Fine Art Photo Award in London and the International Photo Award in Tokyo).
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Nationality:
FRANCE
- Date of birth : 1987
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
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