Vendedor Lynda Rosemarie Stevens
Impresiones "Fine-Arts" en papel
Es un proceso de impresión en papel de arte usando tintas pigmentadas de muy alta calidad e impreso en muy alta definición. Su nivel de conservación es excepcional (más de 100 años), su calidad, profundidad y riqueza de matices supera la clásica impresión fotográfica en papel argentino.
Acabado brillante
Además de su grosor excepcional, el papel de fibra está compuesto de una base de alfa-celulosa sin ácido y está cubierto con sulfato de bario y una capa microporosa que mejora la absorción de pigmentos durante la impresión. Con un color blanco puro, no amarillento a claro, este papel está especialmente diseñado para resistir y envejecer. Es utilizado por los principales museos de todo el mundo, ya que ofrece una resolución excelente, y ofrece colores profundos y densos.
Obra de arte "Fine Art" - Acabado brillante sobre papel base de fibra 325 g.
Nuestras impresiones y reproducciones de gama alta
ArtMajeur solo utiliza papeles naturales con pH neutro, resistentes y de alta calidad, seleccionados de fabricantes de papel de renombre
Nuestra impresora maestra presta atención constante, ya sea en términos de control de color o respeto por la cadena gráfica. Nuestro alto nivel de exigencia de calidad es un activo importante de las impresiones artísticas enmarcadas de ArtMajeur.
Para los artistas! Usted ayuda a los artistas a vivir de su trabajo. Reciben el pago de sus derechos cada vez que usted compra sus impresiones.
Acerca de nuestras impresiones-
Obra de arte original (One Of A Kind)
Dibujo,
Lápiz
en Papel
- Dimensiones Altura 11in, Anchura 4,7in
- Estado de la obra de arte la obra esta en muy buen estado
- Enmarcado Esta obra de arte no está enmarcada.
- Categorías Figurativo Retratos de hombres
He is a gentleman, sitting.
Temas relacionados
I was born in the UK but since 1996 have lived and worked in Budapest, Hungary, and I now have Hungarian as well as British citizenship. I began my creative path at the age of 19 and to begin with was totally self-taught and it was always the aim to let images and impressions from within come more or less spontaneously. For me, the whole process has always represented a kind of 'soul work.' In the 1980's however, I did attend two fairly rigorous two-year part-time courses - the one diploma in painting at leamington College of FE and a Certificate in Craft Materials at Coventry University. These introduced me to several new techniques and a deeper understanding of art history.
I work mainly with mixed-media pieces on board using an array of material ranging from glass fragments, fabric pieces and wax. I am fascinated by materials that reflect and use a myriad of gold hues, silvers and luminescents against matt backgrounds.
I also create mixed-media paper collages, again, usually in A4 size. In these, I tend to employ a bastardised marbling technique for the background and then work into each composition using ink pen, gel pens, metal flakes and fragments of other paper, or materials with either holographic or luminescent surfaces.
Several pieces of mine are represented by the Szentendre-based, virtual MiDo Galéria.
I am actively involved in the alternative Budapest art scene, currently being a member of Művész Terem, through which there are yearly opportunities to exhibit, and where I also have a page showing ten of my works. I am also part of a well-established life drawing group, through which I have had the opportunity twice now to participate in two group exhibitions at prestigious venues.
Whilst in Coventry, England in the late 80's and early 90s, I exhibited regularly with an assorted group of artists called the 'Dream Illustrators' based near the city centre, as well as putting on solo exhibitons. I also lived in Brighton from 1994-1996 and exhibited with the Best Cave Gallery in several group exhibitions.
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Nacionalidad:
REINO UNIDO
- Fecha de nacimiento : 1959
- Dominios artísticos:
- Grupos: Artistas Británicos Contemporáneos
