Seller Kristine Abika
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 910 px | ||
|
1406 px |
| Dimensions of the file (px) | 910x1406 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
on Metal
- Dimensions Height 13.8in, Width 8.9in
- Framing This artwork is framed
- Categories Paintings under $1,000 Abstract
Related themes
I am a professional painter and stage designer and continue to work in both fields, but in recent years I have been fascinated by tin, aluminum and copper as well as metal objects.
Metal is the material that fascinates and inspires me.
The first "tin memories" are from my early childhood in the countryside of Latgale, when my grandfather patched the inside of the garage roof with pre-war English tin plates, stamped with ink blue emu.
I looked at my metal sky and blue star stamps, and made up my own stories.
Later, during the study years I visited the market “Latgale”, where there were piles of used metal objects lying in the rain. Each of us, the different stakeholders, found something useful and valuable for ourselves.
My attraction to metal is like a double-sided magnet - we are attracted to each other.
It is the same with my passion for things and objects that are not classified as valuable antiquities: I create an imaginative story for each of them to include in my work - portraits of small, unnecessary things which are observed in monumental size; I've always been fascinated by the importance of close-ups and framing in composition and life in general.
It is important for me to see and continue interact with this material, which shows its earlier texture, substance, durability. By drawing I create a new linear mesh on an existing tin.
It is interesting to experiment and to create a new space with a few lines in the plate, using texture and roughness of the surface.
The tin surface inspires to continue and shows itself HOW to do it - the starting point is always given before, life is embedded in the plate itself - metal never feels as a "white sheet".
-
Nationality:
LATVIA
- Date of birth : 1975
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Latvian Artists
