All artworks by Ana Krleza
saving our home • 2 artworks
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graphic design
SAILING ART • 11 artworks
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Born in Zagreb, on February 5th, 1966., a teacher of fine art and have a BA in fine arts from the Zagreb [...]
Born in Zagreb, on February 5th, 1966., a teacher of fine art and have a BA in fine arts from the Zagreb Academy of Fine Arts, as well as an additional degree in graphic design.
Graduated in 1997, in the class of professor M. šutej, with painting as her main subject.
As an undergraduate, she participated on 1992 and 1993 group exibitions in Zagreb, in Vladimir Nazor, SC, and Gradec picture galleries.She is profesor of Fine Art in High School.
She lives and works in Zagreb.
Ana Krleza treats her paitnings as places of playful games and memories. They become imaginative and talkative picture-books, dreamy memory albums in which, artfully and with inspiration, with the feeling of joy and melancholy, she paints childhood tales and miths of long ago, of folk poetics and joyous fantasy.
Three main motives are nurtured, varied, and modified: ships, masks, and trees. Strong and metaphorical, rich and morphological potential of the motives impregnated with deep symbolism, grants them the ability of
communication and clarity, makes them evocative, as well as fluid and metaphisical. The trees are connected with the idea of constant and cyclic renewal of life, bearing the notion od fertility, mortality, and eternity; both cosmic and human.
The author handles relations between volume and space, mass and surface, ulness and emptiness in a way that she transforms the three-dimensional physical reality into the two-dimensional one.Reality and illusions are met somewhere at the edges of the painting.
Graduated in 1997, in the class of professor M. šutej, with painting as her main subject.
As an undergraduate, she participated on 1992 and 1993 group exibitions in Zagreb, in Vladimir Nazor, SC, and Gradec picture galleries.She is profesor of Fine Art in High School.
She lives and works in Zagreb.
Ana Krleza treats her paitnings as places of playful games and memories. They become imaginative and talkative picture-books, dreamy memory albums in which, artfully and with inspiration, with the feeling of joy and melancholy, she paints childhood tales and miths of long ago, of folk poetics and joyous fantasy.
Three main motives are nurtured, varied, and modified: ships, masks, and trees. Strong and metaphorical, rich and morphological potential of the motives impregnated with deep symbolism, grants them the ability of
communication and clarity, makes them evocative, as well as fluid and metaphisical. The trees are connected with the idea of constant and cyclic renewal of life, bearing the notion od fertility, mortality, and eternity; both cosmic and human.
The author handles relations between volume and space, mass and surface, ulness and emptiness in a way that she transforms the three-dimensional physical reality into the two-dimensional one.Reality and illusions are met somewhere at the edges of the painting.
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