Conference of the Birds (2019) Collages por Toby Leon
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Edición limitada Número de ejemplares : 15.
Collages,
Impresión digital
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Trabajo Digital 2D
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Collages digitales
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Collages
en Papel
- Número de copias disponibles 1
- Dimensiones Altura 32in, Anchura 24in
- Estado de la obra de arte La obra de arte está en perfectas condiciones
- Enmarcado Esta obra de arte no está enmarcada.
- Categorías Collages menos de 500 US$ Arte Conceptual Fantástico
The Alhambra, with its intricate carvings and rich history, is more than just a backdrop. It's a testament to the cultural crossroads of mediaeval Spain, a melting pot of philosophies and ideologies. The spiritual journey of Attar's birds harmonises with the Alhambra's historical resonance as a place of great power, spirituality and cross-cultural exchange. Blending the esoteric Sufi text with the geometric mastery of the Alhambra to create a fusion of past and present that speaks to the eternal desire for understanding and enlightenment.
I read the Conference of the Birds many years ago, when I took a religious studies class at college. The Conference of the Birds was on our reading list for the week we studied Islam. A masterpiece of Persian literature by Sufi poet Farid ud-Din Attar. In the poem, the birds seek guidance, but have none. And we come to see how each of the birds represent a flaw that prevents humankind from attaining enlightenment. I'm not a religious or spiritual man. I find faith in hope, fairness, kindness & the mind-blowing wonder of no one reeeeeeeally knowing what's going on in this topsy-turvy place we all call home. But a good story—be it religious or not—never fails to move me. The best stories shift my focus so much that I never see our world the same way again. And the Conference of the Birds is on my list of life-changers.
Sources Of Inspiration
The Conference Of The Birds • The Neverending Story • Labyrinth • Moorish Menageries • Andalucia
Temas relacionados
History Remixing
We imagine history into existence every day, shaping the world around us as we go. I remake histories with every piece. From a motley crew of tales tall and true. A melange of myths, signs and symbols. Every one ripe for my kitsch confections, which could all be legends one day.
Every piece I create is true. Sourced from truth and grounded by it. But never real. Reality's a fiction we're all subscribed to, which doesn't make it any less true. And that's the thing about the truth. Or the past. It moves in both directions. Myriad, in fact. Never sitting still or doing as it's told. Forever questioned, dissected, reframed and upended. Queered and inverted. Packaged and performed. Told, retold, adapted then sold. Evolving, like everything else. Which is why I like to think my art exists outside of time. Reaching for infinity. Not reality. A kaleidoscope of mish-mashed truths, which are only as surreal as we choose to make them...
Eternally Hungry
Born in Sydney, I spent my childhood surrounded by artists, oddballs and academics. They taught me to question everything. Respectfully and without fear.
Their coffee table books inspired my love of art and design. Vigorous debates over citywide dinner tables made me realise how complex the world is. Tales of lives spent abroad inspired my wanderlust. Their most important lesson? The value of being eternally hungry—that you should always leave enough room to taste something you've never experienced before.
Twenty-two countries and four continents later, I can find home anywhere with WiFi and a hearty chunk of intrigue. It's because of them, and I'm forever grateful.
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Nacionalidad:
AUSTRALIA
- Fecha de nacimiento : fecha desconocida
- Dominios artísticos: Obras de artistas profesionales,
- Grupos: Artista Profesional Artistas Australianos Contemporáneos
