vita 1 (2010) Painting by Stefano Galli

Acrylic on Canvas, 31.5x31.5 in
$6,176.1
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This artwork appears in 1 collections
Serata ballando. ho sempre preferito quei locali il cui aspetto semi elegante, spaziosi, e luminosi, ti dichiarano subito di. accettare clienti di qualsiasi età, fossero anche bambini o coppie ottuagenarie. Sono quelle sale da. veglione con valzer, polka e mazurca che balli, se sai ballare, negli intermezzi della cena, servita apposta. lentamente e [...]
Serata ballando

ho sempre preferito quei locali il cui aspetto semi elegante, spaziosi, e luminosi, ti dichiarano subito di
accettare clienti di qualsiasi età, fossero anche bambini o coppie ottuagenarie. Sono quelle sale da
veglione con valzer, polka e mazurca che balli, se sai ballare, negli intermezzi della cena, servita apposta
lentamente e consumata con brindisi e dediche da un tavolo all'altro.
Eppure, anche in quei locali, nell'età in cui non ti ponevi tanti pensieri, un inspiegabile turbamento mi
opprimeva la cui colpa, per un imbecille pudore, non attribuivo al vero responsabile e cioè all'amore. Io,
come tutti, ero perennemente innamorato e, stupidamente, temevo sempre di far brutta figura, sia seduto,
sia in piedi, figuratevi ballando; me ne stavo in un angolo come un baccalà, magari guardando gelosamente
la amata del momento condurre, cantando e sculettando, il solito lungo trenino di festaioli in giro per la
sala.
Ancora peggiore il mio rapporto con le discoteche: scatole buie, nelle quali coll’assordante musica e luci
accecanti, si nascondono le magagne di divani sporchi e sdruciti; pavimenti consumati alla meglio
rappezzati, cose che soltanto alla luce del giorno puoi vedere e, avendole viste parecchie volte, sempre mi
hanno ricordato l’aspetto mattutino di mature signore prima del recupero architettonico del corpo
mediante intonaci e tiranti.
Sempre

Related themes

BalloDanzaRotonda Sul MareSerata Danzante

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Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational [...]

Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.

Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.

The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.

Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, France, Belgium, Germany, England, Spain, Russia, and the United Arab Emirates.

The Artist was highlighted in an article in ArtMajeur Magazine:

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