DUE SETTIMANE IN ORIENTE (2003) Painting by Stefano Galli

Acrylic on Canvas, 11.8x11.8 in
$1,605.3
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Vacanza giapponese. Alfredo e Tina, a distanza di una settimana dal loro viaggio in Giappone, vollero commemorare l'evento. invitando me e mia moglie a cena, ovviamente in stile giapponese. Alfredo ci aprì la porta agghindato in. maniera da richiamare il Giappone, quindi; ciabatte infradito, calzoncini bianchi, larga giacca di pigiama. stretta in vita [...]
Vacanza giapponese

Alfredo e Tina, a distanza di una settimana dal loro viaggio in Giappone, vollero commemorare l'evento
invitando me e mia moglie a cena, ovviamente in stile giapponese. Alfredo ci aprì la porta agghindato in
maniera da richiamare il Giappone, quindi; ciabatte infradito, calzoncini bianchi, larga giacca di pigiama
stretta in vita da un foulard; i radi capelli, raccolti e fissati con un elastico dietro la nuca, essendo corti,
sfuggivano alla presa e raddrizzandosi formavano un cresta un po' ridicola. Tina indossava un chimono
azzurro e bianco che, bisogna dirlo, le donava tantissimo. Alfredo ci assicurò che quella messinscena,
degna dei quadri viventi dell'ottocento, era dedicata solo a noi e solo quella sera, quindi non avremmo
dovuto meravigliarci di tutto.
Ci sedemmo per terra onde poterci adeguare al tavolo opportunamente basso, cosa che richiese un certo
sforzo di addome , dovendo schiacciare la pancia. Niente posate, solo bastoncini e ciotole per
sorbire brodini ed altro genere di liquidi. Non descrivo il pasto perché non ci ho capito niente, rendo noto
soltanto che al terzo boccone che mi cadeva sui pantaloni, Tina, compassionevole, mi armò di forchetta ed
in seguito di cucchiaio, quando vide che col tovagliolo imbibito di sakè cercavo di smacchiarmi la patta
dei calzoni. Ma...non si è mangiato male.

Related themes

OrienteMangiare OrientaleCineseBastoncini

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Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational [...]

Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.

Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.

The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.

Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, France, Belgium, Germany, England, Spain, Russia, and the United Arab Emirates.

The Artist was highlighted in an article in ArtMajeur Magazine:

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