Mostly Cloudy With Geometric Showers 16 (2019) デジタルアーツ Kenneth Grzesik によって

非売品
  • オリジナルのアートワーク デジタルアーツ, 2Dデジタルワーク / デジタル絵画 / 写真モンタージュ
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  • アートワークの状態 アートワークは完璧な状態です
  • カテゴリ 抽象芸術 幾何学的な
"Creativity is that marvelous capacity to grasp mutually distinct realities and draw a spark from their juxtaposition"- Max Ernst The spark of juxtaposition serves to activate the imagination. The result can be a subconscious connection between the inspiration of the artist and the perceptions of the viewer. The results of the connection[...]
"Creativity is that marvelous capacity to grasp mutually distinct realities and draw a spark from their juxtaposition"- Max Ernst The spark of juxtaposition serves to activate the imagination. The result can be a subconscious connection between the inspiration of the artist and the perceptions of the viewer. The results of the connection are anybody's guess. Because the art is visual it can be described by words but never replaced by them. The eyes are messengers of feelings that can be lost in words but are real, none the less.

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Digital AbstractAbstract LandscapeNature AbstractGeometricSeries

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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

I think it's possible that beauty can save the world. Art can be life as life can be art. Both can be beautiful if given a chance.My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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