The Girl in the Feather Canyons (2023) 绘画 由 Ritchelly Oliveira

丙烯在帆布上, 36.6x29.1 in
US$7,646.1
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  • 原创艺术品 (One Of A Kind) 绘画, 丙烯 / 木炭 在帆布上
  • 外形尺寸 38.2x30.7 in
    单独工作的尺寸,不带框架: 高度 36.6in, 宽度 29.1in
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  • 分类 画作 低于US$20,000 形象艺术 爱情
In Ritchelly Oliveira's compelling painting, "The Girl in Feather Canyons," the viewer is drawn into a scene of poignant introspection and vulnerability. At the heart of the composition stands an orange-hued woman, her gaze fixed directly upon the viewer with a sense of quiet contemplation. Wrapped in a tender embrace of self-comfort,[...]
In Ritchelly Oliveira's compelling painting, "The Girl in Feather Canyons," the viewer is drawn into a scene of poignant introspection and vulnerability. At the heart of the composition stands an orange-hued woman, her gaze fixed directly upon the viewer with a sense of quiet contemplation. Wrapped in a tender embrace of self-comfort, she hugs herself tightly, conveying a palpable sense of emotional fragility and solitude.

Surrounding the woman are a flock of white doves, their graceful forms suspended in mid-air as they encircle her. These birds, traditionally symbolic of peace and freedom, take on a deeper significance within Oliveira's work. In his artistic interpretation, birds represent weaknesses, embodying the delicate aspects of human experience that render us vulnerable and exposed.

Notably, the birds in Oliveira's painting are depicted without legs, forever suspended in flight and unable to land. This imagery serves as a powerful metaphor for the perpetual nature of vulnerability and fragility, highlighting how these qualities are inherent to the human condition and persistently shape our lives.

Through his masterful use of color, composition, and symbolism, Oliveira invites viewers to contemplate the complexities of inner strength and vulnerability. "The Girl in Feather Canyons" serves as a poignant reminder of the resilience found within moments of solitude and self-reflection, offering a glimpse into the tender complexities of the human spirit.
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艺术家表示Tilsitt Gallery
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Ritchelly Oliveira, born in 1993, Brazilian, visual artist, studied visual arts at the Federal University of Goiás (UFG), began his work in 2012, where he began to take his first professional steps in the plastic[...]

Ritchelly Oliveira, born in 1993, Brazilian, visual artist, studied visual arts at the Federal University of Goiás (UFG), began his work in 2012, where he began to take his first professional steps in the plastic arts. He found in the human figure an opportunity to present his speech about what he understands as the deepest aspect present in affective relationships. He talks about what he suspects to be love and believes it to be a universal feeling. It proposes what is common to Man, even though we know that this love brings something that is also individual and particular. His work is placed where talking about affectivity is also talking about wounds that often never close, as it requires courage for the individual to continue with their emotional experiences.

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