Tutte le opere di Ramona Zordini
Experimental Portrait • 5 opere
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Experimental Cyanotype Works of 2025
Guideline Routine • 33 opere
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I created this project by layering Cyanotypes turned one on top of the other to create the idea of a [...]
I created this project by layering Cyanotypes turned one on top of the other to create the idea of a hole, a chasm made of tears that reveal the depth and its content, like a space that disintegrates layer after layer.
I have been working with photography for 20 years and with water in particular for 15, what has always attracted me about this liquid element and that creates stratifications on what it covers. This particular need has led me to this body of work, research, evolution, change itself have woven a common thread in the intention to dig to the center and the nucleus.
Statement Guideline Routine
Imagine Narcissus, while you look at yourself in that mirror of water and you fall, you reconnect with the self that you were observing, but only by falling, there is no other way. Have you ever thought that being in the water is like being in another world, with other laws, and another ability to survive, so technically it is like not really being here. and if water is made of many drops, of many molecules that dance together, then it is conceivable that they can behave like the skin of an onion, enveloping everything inside itself and creating layers, layers that envelop or layers in which to look, like a small whirlpool that attracts everything. and in this tear in the paper as in the water the spectacle of life is staged, the life beneath the surface, beneath sociality and masks, life as it is felt only inside the water, when everything is muffled and full only of us.
to work a cyanotype you need paper which is nature and therefore earth, you need ferrous salts, therefore mineral, you need sun to expose, you need water to emulsify, fix and turn, you need air to oxidize and so the elements favor the process of creation as they favor life.
I have been working with photography for 20 years and with water in particular for 15, what has always attracted me about this liquid element and that creates stratifications on what it covers. This particular need has led me to this body of work, research, evolution, change itself have woven a common thread in the intention to dig to the center and the nucleus.
Statement Guideline Routine
Imagine Narcissus, while you look at yourself in that mirror of water and you fall, you reconnect with the self that you were observing, but only by falling, there is no other way. Have you ever thought that being in the water is like being in another world, with other laws, and another ability to survive, so technically it is like not really being here. and if water is made of many drops, of many molecules that dance together, then it is conceivable that they can behave like the skin of an onion, enveloping everything inside itself and creating layers, layers that envelop or layers in which to look, like a small whirlpool that attracts everything. and in this tear in the paper as in the water the spectacle of life is staged, the life beneath the surface, beneath sociality and masks, life as it is felt only inside the water, when everything is muffled and full only of us.
to work a cyanotype you need paper which is nature and therefore earth, you need ferrous salts, therefore mineral, you need sun to expose, you need water to emulsify, fix and turn, you need air to oxidize and so the elements favor the process of creation as they favor life.
CHANGING TIME • 3 opere
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(2012-13) (STAMPA FINE ART SU TESSUTO CON RILIEVI 3D) L’evoluzione fisica proviene da uno stato mentale, [...]
(2012-13)
(STAMPA FINE ART SU TESSUTO CON RILIEVI 3D)
L’evoluzione fisica proviene da uno stato mentale, il cambiamento della memoria e dello stato emotivo sono fondamentali nella determinazione del sé. Ma, anche quando l’essenza dell’istante nel fluire del tempo sembra essere colta con certezza, ecco che diviene passato e ogni pezzo del puzzle va riposizionato; quest’operazione si conforma in un ciclo interminabile, una ruota decorata da illusioni di cui abbiamo bisogno per non vedere che ogni verità è anche una menzogna a seconda del suo divenire nel tempo, perché siamo sul ciglio del maelstrom e non vogliamo guardare giù.
L’acqua è l’elemento mutevole, il liquido amniotico del mondo, il corpo prende vita in essa e muta per un istante eterno e muto io che mi lascio trasportare in nuove incognite, perché prendano forma.
Nessuno dei miei corpi così è uguale all’altro o al suo prossimo, uno giace sul fondo di una piscina, un altro si adagia su un cuscino per stare più comodo, un altro ancora vive del sangue del suo compagno, ognuno di essi è la conseguenza del mutamento del proprio microcosmo in relazione con gli altri e con il mio.
CHANGING TIME
(relief on textile, installations with variable measures)
The Project “Changing Time” explores the theme of change,
thought of as physical and psychological alteration, linked to
personal instincts, lifestyle, emotion, and paths taken in the
course of life in a sort of indelibly imprinted writing on and in own
body, portrayed in the liquid that is more congenial to evolution.
(STAMPA FINE ART SU TESSUTO CON RILIEVI 3D)
L’evoluzione fisica proviene da uno stato mentale, il cambiamento della memoria e dello stato emotivo sono fondamentali nella determinazione del sé. Ma, anche quando l’essenza dell’istante nel fluire del tempo sembra essere colta con certezza, ecco che diviene passato e ogni pezzo del puzzle va riposizionato; quest’operazione si conforma in un ciclo interminabile, una ruota decorata da illusioni di cui abbiamo bisogno per non vedere che ogni verità è anche una menzogna a seconda del suo divenire nel tempo, perché siamo sul ciglio del maelstrom e non vogliamo guardare giù.
L’acqua è l’elemento mutevole, il liquido amniotico del mondo, il corpo prende vita in essa e muta per un istante eterno e muto io che mi lascio trasportare in nuove incognite, perché prendano forma.
Nessuno dei miei corpi così è uguale all’altro o al suo prossimo, uno giace sul fondo di una piscina, un altro si adagia su un cuscino per stare più comodo, un altro ancora vive del sangue del suo compagno, ognuno di essi è la conseguenza del mutamento del proprio microcosmo in relazione con gli altri e con il mio.
CHANGING TIME
(relief on textile, installations with variable measures)
The Project “Changing Time” explores the theme of change,
thought of as physical and psychological alteration, linked to
personal instincts, lifestyle, emotion, and paths taken in the
course of life in a sort of indelibly imprinted writing on and in own
body, portrayed in the liquid that is more congenial to evolution.
Opere vendute • 2 opere
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