Esplora tutti gli stili e le tecniche della fotografia artistica: fotografie contemporanee, street-art, arte astratta, arte figurativa, fotografie di paesaggi, light painting, fotografia cinematografica, fotografia digitale, fotografia in bianco e nero... ArtMajeur si rivolge a tutte le sensibilità artistiche e celebra la bellezza al tuo fianco da 20 anni con più di 3,6 milioni di opere d'arte contemporanea da scoprire... o acquisire! Il riferimento mondiale per le fotografie artistiche contemporanee. Scopri le opere di artisti contemporanei di tutto il mondo per arredare i tuoi interni con classe! Semplice amante dell'arte o collezionista confermato? Trova la fotografia o l'istantanea preferita che migliorerà davvero la tua decorazione. ArtMajeur ti offre opere originali, edizioni limitate e stampe d'arte dei migliori artisti fotografici contemporanei al mondo. Su ArtMajeur, le fotografie artistiche sono selezionate da appassionati ed esperti del mercato dell'arte. Selezioniamo per te le opere originali di fotografi di tendenza, premiati e riconosciuti, nonché i nuovi valori emergenti nel campo dell'arte contemporanea per guidarti e aiutarti nel tuo processo di acquisto di fotografie d'arte online.
Contemporary Figurative Photographs are a type of original artwork that captures the essence of people and their surroundings in a realistic manner. These photographs are typically printed on high-quality paper or mounted on canvas, and often framed to enhance their aesthetic appeal.
Contemporary Figurative Photographs emerged in the late 20th century as a response to the rise of digital technology and the growing interest in exploring the human form in photography. Artists such as Cindy Sherman and Diane Arbus paved the way for a new generation of photographers who sought to capture the complexities of the human experience through visual representation. The 1990s saw the emergence of a new movement of photographers, including Nan Goldin and Sally Mann, who challenged traditional notions of beauty and identity through their raw and intimate depictions of the human body. In recent years, contemporary figurative photography has continued to evolve, with artists like Rineke Dijkstra and Richard Mosse experimenting with new techniques and technologies to capture the essence of human emotion and experience. The history and origins of contemporary figurative photography are deeply intertwined with the broader cultural and artistic movements of the late 20th century, and continue to shape the way we understand and represent the human form in the visual arts.
Contemporary Figurative Photographs have undergone a significant evolution in recent years. The genre has moved beyond traditional portraiture to explore new themes, techniques, and perspectives. Artists have experimented with different lighting, composition, and post-processing methods to create striking and thought-provoking images that challenge our perceptions of the human form. These photographs have become important in the contemporary art market, attracting both collectors and galleries.
Contemporary Figurative Photographs are a powerful tool for artists to explore complex emotions and societal issues, and several contemporary artists have become well-known for their work in this genre. One such artist is Nan Goldin, whose intimate, candid portraits of her friends and lovers in the 1980s and 1990s captured the gritty reality of life in New York City at the time. Goldin’s use of color and her ability to capture fleeting moments of intimacy and vulnerability have made her one of the most influential photographers of her generation.
Another artist who has gained recognition for his Figurative Photographs is Alec Soth. Soth’s work often focuses on the American Midwest, and he is known for his ability to capture the isolated, melancholy beauty of small towns and rural communities. His photographs are often haunting and poetic, and they explore themes of loneliness, longing, and the search for meaning in a rapidly changing world.
Sally Mann is another artist whose Figurative Photographs have gained widespread acclaim. Her work often explores the complex relationships between people and their environment, and she is particularly known for her portraits of her own children, which are at once intimate and unsettling. Mann’s use of black and white photography and her ability to capture the fleeting beauty of childhood have made her one of the most influential photographers of her generation.
Finally, the work of Cindy Sherman has also been instrumental in shaping the genre of Figurative Photography. Sherman is known for her self-portraits, in which she dresses up and assumes different personas. Her photographs are often unsettling and provocative, and they challenge traditional notions of beauty and the female form. Sherman’s work has been particularly influential in feminist circles, and she is regarded as one of the most important artists of her generation.
One of the most striking contemporary Figurative Photographs is "Untitled (Self-Portrait with Parents)" by Cindy Sherman, created in 1975. In this artwork, Sherman captures herself dressed in a pink shirt and a patterned skirt, standing between her parents who are both dressed in white. Her face is cropped out, but the awkwardness in her stance and their expressions suggest a strained family dynamic.
Another notable Figurative Photograph is "Kiss" by Tracey Emin, created in 2004. The artwork shows Emin and her partner kissing passionately in bed, with the white sheets pulled up to their chins. The intimacy and vulnerability of the moment is palpable, as if the viewer is intruding on a private moment.
Sally Mann’s "Immediate Family" series, created in the early 1990s, also stands out as a powerful Figurative Photograph collection. In these images, Mann captures her three children in various states of undress and play, often in natural settings like forests or rivers. The photographs are both tender and provocative, exploring the complexities of family relationships and childhood innocence.
Finally, "The Two Fridas" by Yasumasa Morimura, created in 1988, is a striking Figurative Photograph that reimagines Frida Kahlo’s iconic self-portrait. In this artwork, Morimura dresses up as both Fridas, one in traditional Mexican dress and the other in European clothing. The photograph speaks to questions of cultural identity and fluidity, as well as the legacy of Kahlo’s art and life.
