Spring Snowstorm (2011) 绘画 由 Natalie Levkovska

油在帆布上, 45.3x57.1 in
US$2,355.27
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  • 原创艺术品 (One Of A Kind) 绘画, 在帆布上
  • 外形尺寸 高度 45.3in, 宽度 57.1in
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  • 分类 画作 低于US$5,000 印象派
“Spring Snowstorm”, oil on canvas / silver leaves, painting from the series of works “Sea and Gull” A flock of white birds circling in a snowstorm. A feeling of coming spring, a whirlwind and a premonition of change. "Sea and Gull" is perhaps my favorite and most non-commercial project. But it happens that the author likes, does[...]
“Spring Snowstorm”, oil on canvas / silver leaves, painting from the series of works “Sea and Gull”
A flock of white birds circling in a snowstorm. A feeling of coming spring, a whirlwind and a premonition of change.
"Sea and Gull" is perhaps my favorite and most non-commercial project. But it happens that the author likes, does not always resonate with the public.
It all started in my youth. I guess that most young, intelligent people at one time read Richard Bach's book “The Story of a Seagull named Jonathan Livingston”. At sixteen, it became a kind of event for me too.
Then there was a lot of everything, and I remembered the book much later, returning in 2009 from London to Vilnius. The book served as leaven, but the basis was still my love of the sea.
Starting from three years, every year my mother and I had a summer holiday on the Baltic coast. Have you ever swum in the Baltic Sea? If you grew up, like me in the Baltic states, you probably know the peculiarities of the swimming in our sea. In summer, the water here rarely warms up above + 17 ° C, and the most excitement is the swimming in a storm, when you, together with other people screaming from the cold and rapture, jump through the rumbling waves. When the water warms up to 18-19 ° C by the middle of summer, the sea calms down into calm and blooms. To plunge and swim, you need to wiggle your knee in cold water for a long, long time, by the time you get to deep water, your body will be covered with goosebumps from the cold and bravely dive into the burning water, turn around, run back to the beach, bask in the dune on warm white sand. Much later, I found out that the sea can be warm and that you can’t get out of it for hours. That it also can be a fabulous azure color. Yes, the world turned out to be many beautiful and warm seas. :) And yet my attachment to our harsh sea is great: with its cold-steel sky, piercing wind, an endless white strip of sand that goes into the infinite, curved, tar-smelling pine trees, soaring lonely seagulls. From all this, a local character has developed, including mine.
Having returned from England in 2009, I plunged into myself with a question, but what is next: what matters to me, what I like, what I want to express? I realized that, as at 16, I still feel detached from the pack and that one of the most pleasant childhood memories is walking along the seashore. This is what I decided to paint.
The series of works was painted by new and not typical for me technique: small volumetric strokes of oil paint, similar to pieces of mosaics. With different lighting, they shimmer and create a special three-dimensional effect.
It may not feel inner peace in the works, but this is something that I do not like at sea, I don’t like calm.

RU-
Стая белых птиц, кружащих в снежной вьюге. Ощущение весны, вихря и предчувствия перемен.

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SnowstormWhite BirdsSpringSea And GulJonathan Livingston

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Natalie Levkovska 是一位经验丰富的立陶宛画家和插画家。 1995年,她获得了大师级艺术家(Abramtsevo应用艺术学院)的石材、骨骼和木材加工学位,并于1999年完成了服装设计(维尔纽斯艺术学院)学位。后来她成为电影业的服装设计师,后来成为皮草设计师。 2006年,她决定改变自己的生活:搬到伦敦的一家设计工作室工作,并开始尝试油画。 她创作简单而富有诗意的艺术作品,融合了超现实主义和天真艺术。她的艺术宇宙是一种魔幻现实主义:她喜欢展示现实生活中的物体,试图带出空间的魔幻脉动。她创作的情节取材于她的生活:一年中不同时间她家附近的白桦林、所爱之人的肖像、她在雪中的村庄……

Natalie Levkovska 是一位经验丰富的立陶宛画家和插画家。 1995年,她获得了大师级艺术家(Abramtsevo应用艺术学院)的石材、骨骼和木材加工学位,并于1999年完成了服装设计(维尔纽斯艺术学院)学位。后来她成为电影业的服装设计师,后来成为皮草设计师。 2006年,她决定改变自己的生活:搬到伦敦的一家设计工作室工作,并开始尝试油画。

她创作简单而富有诗意的艺术作品,融合了超现实主义和天真艺术。她的艺术宇宙是一种魔幻现实主义:她喜欢展示现实生活中的物体,试图带出空间的魔幻脉动。她创作的情节取材于她的生活:一年中不同时间她家附近的白桦林、所爱之人的肖像、她在雪中的村庄……

Natalie Levkovska 组织了 19 个个人展览,参加了许多绘画和素描活动,她的画作可以在许多私人收藏中找到。

艺术家在 Artmajeur 杂志的一篇文章中被强调:

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