All artworks by Lauris Milbrets
SIGNALS • 2 artworks
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My abstract art focuses on signals as carriers of information and explores them through a visual language [...]
My abstract art focuses on signals as carriers of information and explores them through a visual language that communicates beyond literal representation. Use of shapes, lines, and colors serves as a metaphor for signals—abstract elements that carry meaning and evoke different interpretations. The dynamic arrangement of these visual components can be seen as symbolic of how signals in communication systems—whether human, technological, spiritual or natural, transmit information, influence perception, and create connections. This theme reflects the idea that art itself is a form of signal transmission, where the viewer decodes visual cues to derive personal, emotional, or intellectual understanding.
The changing nature of signals as carriers of information in the context of time reflects how our understanding and use of signals have evolved in response to the dynamic relationship between past, present, and future. Time is not just a backdrop for interpreting signals but an active, integral element that shapes how information is conveyed, processed, and understood across different eras. As culture, and society changes, so too does the way signals interact with time—expanding, transforming, or compressing it in ways that alter their meaning and impact.
With my paintings I invite the viewer to reflect on the constant search for meaning in a world increasingly dominated by technology, where there is a growing reliance on artificially created signals as carriers of information that influence our lives, and to understand whether they are positive or negative, progressive or destructive, knowing that their presence in any form connects us to each other and to the world around us.
The changing nature of signals as carriers of information in the context of time reflects how our understanding and use of signals have evolved in response to the dynamic relationship between past, present, and future. Time is not just a backdrop for interpreting signals but an active, integral element that shapes how information is conveyed, processed, and understood across different eras. As culture, and society changes, so too does the way signals interact with time—expanding, transforming, or compressing it in ways that alter their meaning and impact.
With my paintings I invite the viewer to reflect on the constant search for meaning in a world increasingly dominated by technology, where there is a growing reliance on artificially created signals as carriers of information that influence our lives, and to understand whether they are positive or negative, progressive or destructive, knowing that their presence in any form connects us to each other and to the world around us.
City Lines. • 25 artworks
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In my drawings I picture an urban environment, the variety of which inspires me. A city is saturated [...]
In my drawings I picture an urban environment, the variety of which inspires me. A city is saturated with many contrasting elements, which characterize its peculiarity. I like to find and fix a chosen environment fragment on a paper, assigning a meaning for a specific place or region. The target is to highlight a significant and to conceal non-essential. I could compare my drawings with entries in a diary from any trips abroad. It is interesting to observe a daily rhythm of a city. The most important mean of expression in my drawings is a line. The uniqueness of the line can be compared to the human handwriting, which for everyone is personal. I like a linear purity. During the drawing process it is very exciting to be a chief of the borders to things, which I wish to include in a composition. As an instrument for the drawing I have chosen an ink roller ball pen. Within the research of a city I try to visit central victory and historical monuments, which show the human efforts to make the things eternal. However in such objects there is encoded a pride of a nation, in my drawings I choose to picture simple and ordinary landscapes of an urban environment.
PORTRAITS • 5 artworks
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COMMISSIONED ARTWORK. Price eur 1400. When I studied closer the masterpieces of renaissance I realized [...]
COMMISSIONED ARTWORK. Price eur 1400.
When I studied closer the masterpieces of renaissance I realized that the persons portrait keeps the record of the God`s creation. Probably in portrait painting sessions when all my attention was focused on the model in front of me, God opened my heart for revelation that human being is much more than only flesh and blood.
I think that many people would not be able to remain insensible to the question "Why Are We Here?", if should observe the beauty of the children, friends or loved persons face for hours with purpose to paint it on canvas. I`m convinced that intense portrait painting season in my life was crucial for beginning of understanding of the God`s work on earth and His love for the mankind, by giving His beloved Son as sacrifice on the cross for our sins.
When I studied closer the masterpieces of renaissance I realized that the persons portrait keeps the record of the God`s creation. Probably in portrait painting sessions when all my attention was focused on the model in front of me, God opened my heart for revelation that human being is much more than only flesh and blood.
I think that many people would not be able to remain insensible to the question "Why Are We Here?", if should observe the beauty of the children, friends or loved persons face for hours with purpose to paint it on canvas. I`m convinced that intense portrait painting season in my life was crucial for beginning of understanding of the God`s work on earth and His love for the mankind, by giving His beloved Son as sacrifice on the cross for our sins.
The Sign of the Covenant • 3 artworks
View allTHREE WALLS • 9 artworks
View allSold Artworks • 5 artworks
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