Driftwood Stallion (2023) Sculpture by M. Engin Akabali

Seller M. Engin Akabali

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  911 px  

1500 px
Dimensions of the file (px) 911x1500
Use worldwide Yes
Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
Products intended for sale No
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
  • Original Artwork (One Of A Kind) Sculpture, Wood on Wood
  • Dimensions Height 17.7in, Width 19.7in / 1.00 kg
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $1,000 Outsider Art Horse
About this artwork: Classification, Techniques & Styles. Wood. Sculpture technique using wood, natural material of plant origin. Outsider Art. Invented by Jean Dubuffet (1901-1985) in 1945, the idea is to create works with primitive graphics that take no academic reference into account. He will also advise to "draw like a child" and encourage self-taught [...]

Related themes

DriftwoodWoodHorseOldwoodStallion

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I like to use materials that nature offers us. Driftwood, stone, leaf, sand etc. I have nearly 20 years of experience in the field of sand sculpture. I was a speaker at TEDx on this subject (2018). Instead of [...]

I like to use materials that nature offers us. Driftwood, stone, leaf, sand etc. I have nearly 20 years of experience in the field of sand sculpture. I was a speaker at TEDx on this subject (2018). Instead of sawn and treated wood, I prefer to use dead wood that has drifted in the waves and has been naturally sanded and washed ashore. I think that these wooden pieces found add a completely different aesthetic to my work. At first glance, you can't tell that the pieces are pieces of wood. With detailed inspection, magic emerges. The portraits and sculptures I made from pieces of dead wood offer them a second chance at life.
I use the pieces of wood I collect on my nature trips without playing with their natural colors and forms.
As soon as I start making a sculpture or a portrait, I do not plan what or who it will become. I let the pieces of wood I used guide me. Pieces of wood already show me what it wants to become through trial and error, according to its folds, knots, colors and shapes. However, this is a troublesome process. Sometimes I have to wait a long time for this improvised process to direct the right piece in the right direction, and sometimes I can go fast and finish my work in a short time when I catch the flow. Some may take years to complete, and there are some that I did not complete.
I want to convey the beauty of nature to my works and I think I will succeed with natural materials.  

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