SCHEHEREZADE, POURING TEA (2009) 绘画 由 L'Orientaliste
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。
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光面漆
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Art Print“美术”-在325 g纤维原纸上的光泽处理。
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原创艺术品 (One Of A Kind)
绘画,
水彩
在纸上
- 外形尺寸 高度 17in, 宽度 14in
- 艺术品状况 工作状况非常好
- 是否含画框 此作品未装裱
- 分类 画作 低于US$1,000 东方艺术 日常生活
This is an original painting created in 1990 of two Arabic females taking tea.
Title: Scheherezade, Pouring Tea
Subject: Orientalisme
Medium: pencil watercolour on paper
Signed: R Lawrence Manasfi
Framed: yes behind glass
20th century orientalist art
Middle Eastern, Asian and North African Societies.
The artist's inspiration behind this piece came from a play in the Royal Court London in 1989 (Iranian Nights). The focal point of the girl pouring tea was formed around the character Scheherazade (played by Fiona Victory), the rest of this coulourful lavish scene was imaginary.
The focal point of the painting we see an elegant young lady, dressed in red embellised arabian style attire sat poised on a rug in a sumptiously decorated majlis, pouring tea from a brass dallah. Scheherazade's sister behind, recylined on a bright green velvet ottoman clad in a silk tangerine costume.
Behind them in the background is a colourful designed mashrabiya oriel window in a carved wood lattis style, the colours reflecting inside from the sunlight.
The story of Scheherazade...Scheherazade was inspired by the tales of The Arabian Nights in which a Sultan who had been betrayed by his beloved wife he had her and her lover's head chopped off, blinded by his desire to take revenge the Sultan vowed to take a new wife each night and have her head chopped off the next morning before she could dishonour him. However, Scheherazade, succeeded in saving herself by engaging the Sultan’s interest in a series of interconnected tales. Each night she would tell him a story and leave it hanging thus the Sultan kept Scheherazade alive day by day, as he eagerly anticipated the conclusion of each previous night's story then each night she began a more exciting tale before dawn. These tales took 1001 nights to recount until she had no more stories. By the time it took to tell these tales the Sultan had fell in love they had children and the Sultan spared her life and made her his Queen.
相关主题
OdalisquesModern Orientalist PaintingArabic ArtworkOrientalist GalleryIranian Nights
Artist: Rozlynn M Lawrence-Manasfi
Genre: MENA Orientalist
Middle East and North African "MENA" artist, whose works predominantly represent orientalist era in the arts of ancient Middle East, North Africa, Egypt and Turkey, depicting scenes of Arabian pictorial history in landscape and figurative style.
Fantasy of the Orient
Her paintings are a romantic fantasy of the Orient, populated with exotic rich sensual and colourful scenes of worlds beyond Europe, illustrating rug sellers, dancers, harems, turbaned men in luscious velvet cloaks, the alluring odalisques, women in luxurious clothing, jewelled slippers, silks and velvet gowns with beautiful beaded embellishment, dusty bazaars, souks, snake charmers, with traders in the bustling Arabic markets, selling their wares of beautiful orient trinkets, hookah, lush decorative fabrics, beautiful textiles in vibrant glowing shimmering colours of red, green, gold, blue, yellow and pink, lavish tapestry, beautiful Arabesque tiles, mosques and architecture to the golden sands of the hot desert and palm trees, an oasis set in a mysterious far away land.
About the Artist
English autodidactic painter, born in London, grew up in the 1960's Shoreditch, London.
Her artistic influence expanded and blossomed with the introduction of Orientalism in art in the early 1980's. Beautifully vibrant and lush, she populated a series of Middle East, Orientalist scenes in Watercolour by famous artists Giulio Rosati and Antonio Gargiullo.
By the late 1980's she developed her own style, painting more in oils extending her skills to commissioned work for friends, painting their favourite subjects. In the 1990's a window opened to assist at a local community Sunday art club at Napier Grove N1, run by artists for the local community, thus proving opportunity to interact with other artists an opportunity to network, show and exhibit her works at the club, with encouragement to show and sell her paintings to a wider audience.
Exhibitions and Selling
In the past a handful of paintings were shown in the gallery space at the Lion and Lamb, Hoxton, she exhibited a painting in the London Mall Gallery in the 1980's, but rarely participate in exhibitions, painting being secondary to her main professional career, nevertheless the Artist has successfully sold most of her works, as demonstrated by the steady sales of her paintings in the UK and Europe to private clients and galleries.
A collection of her paintings can be viewed at her portfolio on the Artmajeur Gallery website. Details about the Artist are documented on Wikipedia.
Some much earlier paintings bear the FAR branding with FAR tags. These were documented on the Fine Art Registry (FAR) until FAR abandoned hundreds of artists without warning, the site went down in 2012 with no recovery of digital images. Fortunately, most digital images were curated on the Artmajeur platform.
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