Starting midsentence (2022) Картина - Kate Paul

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Продано по Kate Paul

I change my idea mid-sentence or my direction in the middle of a line, sometimes my intention in the middle of painting. I know that it's only when I get up to speed that I discover what I'm really supposed to say or do. But I don't over-rush, I just, when speaking or leading a marker (it's also a variation of speaking), search[...]
I change my idea mid-sentence or my direction in the middle of a line, sometimes my intention in the middle of painting. I know that it's only when I get up to speed that I discover what I'm really supposed to say or do. But I don't over-rush, I just, when speaking or leading a marker (it's also a variation of speaking), search in concentration for the continuation of the gesture. Of this right shape for a thought or a feeling. I simply think by painting and paint by thinking. Only then does the form get the right interior. Look for a form with an interior. Abandon an empty one.

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ModernContemporaryDesignBlackWhite

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Kate Paul is a Wroclaw-based artist. She was born in 1988 in Wroclaw, Poland. She holds a master’s degree in painting and drawing from the Academy of Fine Arts in Wroclaw. Throughout her career, she has also[...]

Kate Paul is a Wroclaw-based artist. She was born in 1988 in Wroclaw, Poland. She holds a master’s degree in painting and drawing from the Academy of Fine Arts in Wroclaw. Throughout her career, she has also studied ceramics to expand her horizons and discover new possibilities as an artist. During her art studies, Kate wanted to invent something different and rarely followed the rules. She never tried to be “an academic painter. She started painting full-time in 2018, after working as a graphic and ceramic designer as well as a bass player and singer. 


"What calligraphy means to me?

I see it as a labyrinth. I follow a path of symbols so as not to lose my way. A bright line on a dark background is my Ariadne’s thread. Where do I want to get to? To a mystery. The letters and digits I use aren’t always fully comprehensible, not even to me. Where do they come from? From the past. I study the writing in old documents and ornaments in ancient ruins, shapes of rundown furniture and destroyed tools. I feel that their look constitutes a cypher that connects yesterday with today. I do not use calligraphy for its beauty, as some other painters do, nor do I use it in order to experiment with form. Japanese, Latin or Arabic characters – even a digital inscription on a computer – they all hold meaning. They say something about the world which created them. Do they say something about the people, too? Oh yes, they do! With a stroke of a hand holding a brush I get to know these people, their love and hate, desires and fears – their fate. The inscriptions in my paintings tell their stories."

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Маркер на Холст | 74,8x59,1 in
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Рисунок распылителем краски на Холст | 47,2x47,2 in
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Масло на Холст | 39,4x39,4 in
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Акрил на Холст | 74,8x59,1 in
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