THRICE BURNT THE SEA RAN (2019) Drawing by Hugo Simon
Not For Sale
Sold by Hugo Simon
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Original Artwork (One Of A Kind)
Drawing,
Ink
on Paper
- Dimensions Height 3.2in, Width 4.1in
- Framing This artwork is not framed
- Categories Drawings under $500 Symbolism Beach
La mer, le ciel, les vents, l'horizon, et trois points blancs, feus dans l'eau, fumées opaques.
Là où d'ordinaire, les travaux au point-par-point sont extrêmement chronophages, celui ci vit le jour en une nuit seulement.
Dessin automatique. L'appel de la noirceur vivifiante d'eaux nocturnes frappées trois fois du feu stellaire. Horizon et clarté. L'aube approche, ne demeure des pierres solaires que des volutes de fumée soufflant à l'est, annonciatrices, hérauts survenus à l'aube, trois points blanc et brûlants dans l'immensité noire, trois cicatrices à la surface de la peau maritime. Trois Morsures.
Cette œuvre entre dans une sous-catégorie de mes travaux à l'encre traitant d'une entomologie cosmique et d'un rapprochement du microcosme organique avec le macrocosme inorganique.
Related themes
To the impressionists, truthfulness. To the symbolists the transformation. To the surrealists the techniques. To the occultists the method. To my contemporaries the breath, to my friends the persistence, to my loves the will. I discovered ink around high school (in the form of felt-tip pens, plastics, disposable, industrial, useful). Since then, I have abandoned the rest. Except the human, the Art.
I come from an eclectic background. Literary baccalaureate, study of 2D animations, short internship in a company for an Arte production then I decided to stop everything, I entered into residency at 59 Rivoli in Paris and took advantage of the global pandemic to become a coffin bearer , get closer to the nerve point, humanity located between the perspective of love and the fear of death. Attraction and repulsion are two notions essential to my conception of art, which is profoundly dualistic, but always oscillating between one pole and the other.
My work is mainly transcribed through the use of ink. Ink is to my work what blood is to human life. The vision, like the bubble that rises from the boiling blood. In the tradition of the European symbolists, I seek to transcribe through the image the vector of what goes beyond it. The feeling is fleeting, but its moment, eternal. The work is a ruin. The ruin is always new.
I also practice tattooing done without the aid of machines as well as live models. I have participated in artistic experiments inspired by Marina Abramović's method, and occasionally engage in performance, filmed or not.
I I am happy that you have discovered my work through this medium, and I thank you warmly for the attention you bring to it. I live most often around the Paris region as well as 59 RIvoli where I met my first artistic family. I hope that you too will come to meet us one day, if only to share together the saving experience of art.
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Nationality:
FRANCE
- Date of birth : unknown date
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
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