Jaws and flies (2019) Drawing by Hugo Simon

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Mounted on Cardboard
This artwork appears in 4 collections
  • Original Artwork (One Of A Kind) Drawing, Ink on Paper
  • Dimensions Height 3.9in, Width 5.7in
  • Framing This artwork is not framed
  • Categories Drawings under $1,000 Symbolism Nature
Deux crânes canins s'imbriquant l'un dans la gueule de l'autre, celui du centre appelle à une branche automnale, dont la lueur est constituée de léger papillons. Un regard se dessine, corps d'insectes, vapeurs organiques. Originellement un exercice de morphologie appliquée au sujet canin, très vite cette[...]
Deux crânes canins s'imbriquant l'un dans la gueule de l'autre, celui du centre appelle à une branche automnale, dont la lueur est constituée de léger papillons.

Un regard se dessine, corps d'insectes, vapeurs organiques.

Originellement un exercice de morphologie appliquée au sujet canin, très vite cette œuvre réalisée en automne devint pour moi une véritable ode à la décadence et au jeu fou des petits insectes qui dansent comme les feuilles mortes qui tombent.

Naturellement l'utilisation de la technique pointilliste implique le sujet même, ce sont les points noirs qui dessinent le dessine, tout comme dans la vraie vie c'est le point noir de l'insecte qui dessine la décomposition. Ne reste de la vie que le cristal internet de sa forme de jadis, l'os nettoyé par l'essaim des points noirs.

Je vous recommande comme pour tous mes travaux fait au point par point d'avoir une loupe à portée de main lors de l'étude de cette œuvre pour faciliter la lecture au second niveau. A noter que durant le transport, cette œuvre fut pliée dans son sens vertical. Je peux vous faire parvenir une photo si vous le souhaitez.

Related themes

OsCrâneVanitéInsecteLocust

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To the impressionists, truthfulness. To the symbolists the transformation. To the surrealists the techniques. To the occultists the method. To my contemporaries the breath, to my friends the persistence, to[...]

To the impressionists, truthfulness. To the symbolists the transformation. To the surrealists the techniques. To the occultists the method. To my contemporaries the breath, to my friends the persistence, to my loves the will. I discovered ink around high school (in the form of felt-tip pens, plastics, disposable, industrial, useful). Since then, I have abandoned the rest. Except the human, the Art.


I come from an eclectic background. Literary baccalaureate, study of 2D animations, short internship in a company for an Arte production then I decided to stop everything, I entered into residency at 59 Rivoli in Paris and took advantage of the global pandemic to become a coffin bearer , get closer to the nerve point, humanity located between the perspective of love and the fear of death. Attraction and repulsion are two notions essential to my conception of art, which is profoundly dualistic, but always oscillating between one pole and the other.


My work is mainly transcribed through the use of ink. Ink is to my work what blood is to human life. The vision, like the bubble that rises from the boiling blood. In the tradition of the European symbolists, I seek to transcribe through the image the vector of what goes beyond it. The feeling is fleeting, but its moment, eternal. The work is a ruin. The ruin is always new.


I also practice tattooing done without the aid of machines as well as live models. I have participated in artistic experiments inspired by Marina Abramović's method, and occasionally engage in performance, filmed or not.


I I am happy that you have discovered my work through this medium, and I thank you warmly for the attention you bring to it. I live most often around the Paris region as well as 59 RIvoli where I met my first artistic family. I hope that you too will come to meet us one day, if only to share together the saving experience of art.

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