Parco Giavazzi Tec.Mista carta (1984) Painting by Gianfranco Villanova

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Oil, 13.4x9.5 in

$406.73

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Original Artwork Painting, Oil

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Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 13.4in, Width 9.5in
Categories Paintings under $500 Figurative

Opera di prossima pubblicazione. About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly rich in oil for a solid and durable hanger. Figurative. Figurative and colorful painting having taken the liberty [...]

Gianfranco Villanova

Italy

Contemporary Impressionist Painter. Aurelio Villanova. …. Born in Sernaglia della Battaglia (Treviso), on 9 October 1923,. Aurelio Villanova is registered in the European register of professional artists, he is [...]

Contemporary Impressionist Painter

Aurelio Villanova

…. Born in Sernaglia della Battaglia (Treviso), on 9 October 1923,
Aurelio Villanova is registered in the European register of professional artists, he is a member of various academies for merits; awarded with International Certificate of Merit, < International Award > for the illustrious and determined contribution given to the arts, literature and the strengthening of world cooperation for the progress of culture.
Signed < MEMBER OF THE COUNCIL > and < BY THE EXECUTIVE OFFICIER > of the International Institute of Arts and Letters of Zurich, given this July 1970.
Your works appear in various public and private collections in Italy and abroad, and in various national and international contemporary art sites.

Training:

At the Accademia Libera Gabbiani in Milan together with the painter and Maestro Giacomo Gabbiani.

At the Brera Academy in Milan with the painter and master Gino Moro.

At the Scuola Superiore d'Arte del Castello in Milan with Maestro Fedeli Francesco, holder of the chair of painting and composition at the same.

Some of your public acknowledgments:

Diploma of Artistic Merit and Gold Medal. At the Permanent Exhibition of Plastic and Figurative Arts, for the participation received by unanimous approval. (Società Filarmonica Drammatica Macerata), Macerata 1968.

Academician Associated with the Accademia Tiberina, Institute of University Culture and Higher Studies for the increase of the Arts, Letters and Sciences, Rome 1969.

Merit academician at the "i 500" Academy, for the merits achieved with your fruitful and tenacious work. Rome 1970. Public Acts Office of the Italian Republic.

Academic of Honor for his high merits at the Abruzzi Academy for Sciences and Arts, Chieti 1973.

Academician of Italy with gold medal. For his particular activity in the Arts sector, Salsomaggiore Terme1978.
International Prize "Artist of the Year" UIL-UNSA 2009 XII EDITION Lifetime Achievement Award, La Spezia April 2010.

History:
The interest in drawing and in the Arts in general, creating the first pencil sketches, for Aurelio Villanova begins during the Second World War, while he is employed in the municipality of Pieve di Soligo as a placer and Technical secretary of the Arts.
At the end of the war he settled in Milan where he met the painter and friend Maestro Giacomo Gabbiani at the Accademia Libera Gabbiani; here begins his true artistic passion.
Subsequently Villanova has two significant meetings for his training: the first with the Painter Gino Moro Maestro at the Brera Academy in Milan where he will attend the school of painting and sculpture, the second with his friend and colleague Maestro Fedeli Francesco owner of the chair of painting and composition at the Scuola Superiore d'Arte del Castello in Milan where he will study anatomy, then the great ascent begins...