« Sort des peuples » Painting by Galerie De Parrhasios

Oil on Canvas, 8.7x13.8 in
$458.99
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  942 px  

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un échiquier en papier, différents coquetiers présentant chacun la situation dans une partie du monde. Sort des peuples sur l’échiquier international ; peuples génocides, peuples asservis, peuples en devenir, peuples enterrés et préhistorique … About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed [...]
un échiquier en papier, différents coquetiers présentant chacun la situation dans une partie du monde.
Sort des peuples sur l’échiquier international ; peuples génocides, peuples asservis, peuples en devenir, peuples enterrés et préhistorique …

Related themes

ÉchiquierCoquetiersNature MorteHuile Sur Toile

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Vécu, pseudonym of Valéry Quitard, is a self-taught painter specialised in oil painting. He works with several galleries (England, Holland, Portugal, united states of america and the Czech Republic). He has also [...]

Vécu, pseudonym of Valéry Quitard, is a self-taught painter specialised in oil painting. He works with several galleries (England, Holland, Portugal, united states of america and the Czech Republic). He has also exhibited his work in Belgium, Germany, Switzerland and Spain and at the main historic exhibitions in Paris and throughout France.

He works in two styles: still life, using the easel trompe l’oeil technique, also known as reality painting and a form of painting with a surrealist tendency inspired by popular culture and iconography.

The latter, imbued with a touch of fantasy, symbolism and tenderness thanks to his subtle palette, blends baroque detail with poetry and an outdated, puerile universe with moderate surrealism. Subjects are largely focussed on bygone or antiquated periods; for the most part, his paintings are inhabited by animals dressed in period costumes in childlike poses.

From precise workmanship to mellow contours, his painting reassures and charms the viewer with the gentleness and nostalgia that emanates from it.

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