Emancipation (2011) Digital Arts by Fabrice Réhel

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  • Original Artwork Digital Arts, Video
  • Dimensions Dimensions are available on request
  • Categories Expressionism
Emancipation, vidéo 1’36, 2011 Le titre Emancipation apparaît sur fond noir. Nous voyons apparaître l’ombre d’un enfant de deux ans et de son papa. Ils marchent ensemble sur un chemin clair. Le petit garçon chante approximativement l’air de l’Internationale et tente de marcher sur l’ombre de son père, qui l’incite à s’en défaire. L’enfant se[...]
Emancipation, vidéo 1’36, 2011
Le titre Emancipation apparaît sur fond noir. Nous voyons apparaître l’ombre d’un enfant de deux ans et de son papa. Ils marchent ensemble sur un chemin clair. Le petit garçon chante approximativement l’air de l’Internationale et tente de marcher sur l’ombre de son père, qui l’incite à s’en défaire. L’enfant se détache et finit par sortir du cadre vers l’avant, à la découverte du monde. L’écran devient noir et l’on entend la voix émerveillée du garçon découvrir des fleurs, « plein de fleurs ». Générique de fin.

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EmancipationOmbresFleursPère FilsSoleil

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Fabrice Réhel, born in 1976, works and lives in France, where he explores the intricacies of drawing and painting. His artistic career is as varied as his overflowing imagination, marked by a passion[...]

Fabrice Réhel, born in 1976, works and lives in France, where he explores the intricacies of drawing and painting. His artistic career is as varied as his overflowing imagination, marked by a passion for cartoon characters and comic worlds.

From an early age, Fabrice Réhel was drawn to art, but it was in the 2000s that he fully embraced his artistic vocation. Inspired by the tumult of everyday life and the richness of popular culture, he creates works imbued with humor and poetry.

His artistic approach is deeply influenced by a philosophy of uprising, where art becomes a means of resisting norms and conventions. He refuses to be confined to a single style or label, preferring to explore multiple modes of expression.

In 2005, Fabrice Réhel joined an artists' collective bearing the same name, where he continues to collaborate and explore new artistic avenues. For him, art is a means of conveying his desires, misunderstandings and will to power, while exposing his attempts at derision.

Among his most notable series is “It is It” (2009), in which he explores the primordial forces of life through energetic, explicit paintings and sculptures. Invoking symbols from pagan and ancestral cultures, he creates vibrant works that invite the viewer to reflect on human nature and the meaning of existence.

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