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Venditore Nicu Darastean
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600 px |
| Dimensioni del file (px) | 501x600 |
| Utilizzazione in tutto il mondo | Sì |
| Utilizzazione su un multi-supporto | Sì |
| Utilizzazione su un qualsiasi tipo di supporto | Sì |
| Diritto di rivendita | No |
| Numero massimo di stampe | 0 (Zero) |
| Prodotti destinati alla vendita | No |
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Banca d'immagine d'arte-
Opera d'arte originale
Pittura,
- Dimensioni Altezza 23,8in, Larghezza 19,9in
- Categorie Quadri sotto i 1.000 USD
Surprisingly, I woke up one day in the middle of their works, stepping on the same paving stones where they stepped, touching the same walls made of bloody red bricks. Even the characters seemed to be the same, only the costume designer seemed to have been fired.
This is what inspired me to make this painting. I wanted to recreate the fascinating world of de Hooch, while opening a gate to the modern world; to show that even in the modern hectic life, if you enter a small courtyard in Delft you can find the people of de Hooch’s world. It’s a world that, even with a wide perspective of today’s life, prefers to regain its energy and strength in yesterday.
My childhood was very important for my development as an artist. I was born on April 2, 1971 in a small Romanian village surrounded by forests, a settlement where no modern facility had ever existed - not even electricity. I grew up imagining the “outside world”, making my own toys out of wood and clay, watching and studying nature. When I was 7 my family moved to a nearby larger village. There I started to broaden my horizons but at the same time lose my childhood. I started to discover civilization, as it was, and many times I had a feeling of “deja-vu”: seeing that things I had only imagined before actually existed.
I spent my teenage years preparing for a respectable career in electronics, but the influence of my grandfather, my first art teacher, a very good folk artist with an authentic aesthetic sense, was starting to come out. After high school I realized that I had to dedicate myself to the art of painting so I started to attend a local Graphic Art School. There I showed my professor a few paintings which looked so much like the works of Vasarely, Dali, Magritte and de Chirico that the professor asked me whether I had seen their works before. Having only read books about renaissance art and nothing about modern paintings, I started searching for information. Then I began my own art history course.
After studying graphic art I decided to expand my view of art by studying design. I chose design because the study of art was too constrained by the work methods of our art teachers. Unfortunately there is no surrealist art school in the world and surrealism is still overlooked by professors who are too busy with postmodernist art. Studying design helped me indirectly by developing my abilities of projecting a surrealist atmosphere through perspective and projective drawing and also making me familiar with new art techniques. During that time I perfected my watercolors, icons and graphic art style.
Traveling through the Netherlands in the last few years raised my interest for the hyperrealism of the still lives of Flemish painters. Then I began to study the fantastic realism of Breughel and Bosch, of Carel Willink and Pyke Koch and the metaphysics of Magritte and Delvaux. Learning from the experiences of other artists and adding my view of the world I developed, in time, my own surrealist style.
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Nazionalità:
ROMANIA
- Data di nascita : 1971
- Domini artistici:
- Gruppi: Artisti Contemporanei Rumeni
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