Costantino Di Renzo
Costantino Di Renzo is a contemporary Italian artist. He embarked on his artistic journey in 1965 when he enrolled at the Academy of Fine Arts in Rome. Early in his career, he delved into an intricate exploration of past art, particularly drawing inspiration from the Dutch painter Vermeer. This marked the beginning of a conceptual analysis of images in his work. In 1974, he joined the hyperrealist movement, and his works made their debut at the Margutta gallery in Pescara (1976) and the Il Modulo gallery in Salerno (1977). Seeking to refine his hyperrealist technique, he ventured to the United States in 1978, where he honed his skills under the guidance of artists like Richard Estes, Don Eddy, and Chuk Close. This period also marked his interaction with the Borghi gallery in New York, where he held an exhibition titled "New York, sphinx of cement, aluminum, and mirrors" in 1979.
Critical acclaim followed as prominent art critics, including Duilio Morosini, Marcello Venturoli, and Giuseppe Marchiori, recognized the depth of his painting. In 1975 and 1979, he participated in the XXIX and XXXIII "FP Michetti Prize."
Shifting gears in 1980, Costantino turned his artistic talents towards sculpture, unveiling his creations in 1982 at the Cesare Manzo gallery in Pescara and the Centro sei gallery in Bari. His sculptures, veiled figures crafted from fiberglass, transformed exhibition spaces into immersive installations. In the same year, he showcased his monumental sculptures at the Bari International Fair, an invitation earned through his talent.
In the early 1980s, Costantino also ventured into theatrical scenography, collaborating with various theater companies. This included working on productions such as Shakespeare's “A Midsummer Night's Dream,” "Lazzarina tra i coltelli" by Rosso di San Secondo, "La Moscheta" by Ruzante, and more. In 1985, he returned to painting, creating a captivating series of works during a year-long stay in Sydney, Australia, where he drew inspiration from the natural beauty of the country. These works were followed by a series of paintings dedicated to the moon, exhibited in Rome in 1989.
In 1992, an important exhibition in Japan marked his international recognition, featuring 36 large-format works. Despite market success, Costantino made a deliberate move away from Rome in 1992. He settled in the countryside near his hometown, undertaking a deep study of Homeric Ulysses. His series of works examined Ulysses' departure from his island, creating a unique symbiosis between painting and literature.
In 2002, he exhibited works from the preceding decade in Miami's "Rolnick House." In 2003, his painting style evolved, breaking into irregular geometries enriched with plastic elements that continued the narrative beyond the canvas's surface. He further diversified his creative portfolio by authoring short stories in 2005 and producing videos in 2008.
Costantino's artistic evolution took another turn in 2009 when he exhibited forty large-format works in Lecce, marking the end of his mythological period. His art transformed, embracing contemporary themes and delving into the complexities of the human psyche. This new phase explored topics like human frailty, madness, and societal weaknesses, often presented with profound irony. His later works were displayed in Milan's Unigallery under the exhibition "Pratica-Mente," accompanied by a video titled "Practice-Mind-None." This marked a significant shift in his artistic trajectory, showcasing his ability to adapt and explore diverse facets of the human experience through his art.
Discover contemporary artworks by Costantino Di Renzo, browse recent artworks and buy online. Categories: contemporary italian artists. Artistic domains: Painting, Drawing. Account type: Artist , member since 2015 (Country of origin Italy). Buy Costantino Di Renzo's latest works on ArtMajeur: Discover great art by contemporary artist Costantino Di Renzo. Browse artworks, buy original art or high end prints.
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Biography
Costantino Di Renzo is a contemporary Italian artist. He embarked on his artistic journey in 1965 when he enrolled at the Academy of Fine Arts in Rome. Early in his career, he delved into an intricate exploration of past art, particularly drawing inspiration from the Dutch painter Vermeer. This marked the beginning of a conceptual analysis of images in his work. In 1974, he joined the hyperrealist movement, and his works made their debut at the Margutta gallery in Pescara (1976) and the Il Modulo gallery in Salerno (1977). Seeking to refine his hyperrealist technique, he ventured to the United States in 1978, where he honed his skills under the guidance of artists like Richard Estes, Don Eddy, and Chuk Close. This period also marked his interaction with the Borghi gallery in New York, where he held an exhibition titled "New York, sphinx of cement, aluminum, and mirrors" in 1979.
Critical acclaim followed as prominent art critics, including Duilio Morosini, Marcello Venturoli, and Giuseppe Marchiori, recognized the depth of his painting. In 1975 and 1979, he participated in the XXIX and XXXIII "FP Michetti Prize."
Shifting gears in 1980, Costantino turned his artistic talents towards sculpture, unveiling his creations in 1982 at the Cesare Manzo gallery in Pescara and the Centro sei gallery in Bari. His sculptures, veiled figures crafted from fiberglass, transformed exhibition spaces into immersive installations. In the same year, he showcased his monumental sculptures at the Bari International Fair, an invitation earned through his talent.
In the early 1980s, Costantino also ventured into theatrical scenography, collaborating with various theater companies. This included working on productions such as Shakespeare's “A Midsummer Night's Dream,” "Lazzarina tra i coltelli" by Rosso di San Secondo, "La Moscheta" by Ruzante, and more. In 1985, he returned to painting, creating a captivating series of works during a year-long stay in Sydney, Australia, where he drew inspiration from the natural beauty of the country. These works were followed by a series of paintings dedicated to the moon, exhibited in Rome in 1989.
In 1992, an important exhibition in Japan marked his international recognition, featuring 36 large-format works. Despite market success, Costantino made a deliberate move away from Rome in 1992. He settled in the countryside near his hometown, undertaking a deep study of Homeric Ulysses. His series of works examined Ulysses' departure from his island, creating a unique symbiosis between painting and literature.
In 2002, he exhibited works from the preceding decade in Miami's "Rolnick House." In 2003, his painting style evolved, breaking into irregular geometries enriched with plastic elements that continued the narrative beyond the canvas's surface. He further diversified his creative portfolio by authoring short stories in 2005 and producing videos in 2008.
Costantino's artistic evolution took another turn in 2009 when he exhibited forty large-format works in Lecce, marking the end of his mythological period. His art transformed, embracing contemporary themes and delving into the complexities of the human psyche. This new phase explored topics like human frailty, madness, and societal weaknesses, often presented with profound irony. His later works were displayed in Milan's Unigallery under the exhibition "Pratica-Mente," accompanied by a video titled "Practice-Mind-None." This marked a significant shift in his artistic trajectory, showcasing his ability to adapt and explore diverse facets of the human experience through his art.
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Nationality:
ITALY
- Date of birth : 1946
- Artistic domains:
- Groups: Contemporary Italian Artists

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Last modification date : Mar 29, 2025
(Member since 2015)
Image views: 1,068,095
Artworks by Costantino Di Renzo added to favorite collections: 1,624
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Added Nov 12, 2015
IL video fa parte di una serie di racconti da me scritti in occasione della mostra Antologica al Castello Carlo V di Lecce nel settembre del 2009
Added Nov 10, 2015
video della serie PRATICA-MENTE
Added Nov 10, 2015
video della serie PRATICA-MENTE
Added Nov 10, 2015
video della serie PRATICA-MENTE
Added Nov 10, 2015
video della serie PRATICA-MENTE
Added Nov 10, 2015
video della serie PRATICA-MENTE
Added Nov 8, 2015
Video della serie PRATICA-MENTE
Reviews and comments

©2023 Costantino Di Renzo
Bravo pour le doux visage de cette petite fille, qui fait néanmoins preuve de caractère et curiosité. J'adore. Amicalement. Gaby

©2023 Costantino Di Renzo
Impressionant, la dure réalité de la vieillesse. Vous avez un talent exceptionnel. J'aime beaucoup. Gaby

©2023 Costantino Di Renzo
Bravo Costantino pour ce magnifique portrait au Pastel, j'apprécie la qualité de votre travail hype-réaliste. Artistiquement. Gaby

©2024 Costantino Di Renzo
The main presentation of this painting here indicates a measurement of 50x45 which is perfect. Lookiong at the presentation in a home it's distorted and not pretty anymore. Which measurement ist right? (Will delete this comment when answered.

©2023 Costantino Di Renzo
Très beau portrait réalisé avec un hyper réalisme absolument bluffant ! Félicitations !
Здорово, очень круто поздравляю!!!!

© Costantino Di Renzo

©2023 Costantino Di Renzo
Gran taltento Constantino! Tus obras son de otra galaxia. Saludos!

© Costantino Di Renzo

©2023 Costantino Di Renzo

©2023 Costantino Di Renzo

©2024 Costantino Di Renzo

Balderas
•
Asombroso. Lo tuyo no es normal. Da igual el procedimiento, oleo, acrílico, tempera, pastel… , cada una de tus obras es una lección magistral de pintura. Si a eso unimos una creatividad sin límites, el resultado es un artista formidable. ME RESULTA ABRUMADOR. Comprendo el “síndrome de Stendhal”. Es tan bello que duele. Qué barbaridad, tú eres de otro planeta. Mi más rendida admiración.
Amazing. Yours is not normal. No matter the procedure, oil, acrylic, tempera, pastel..., each of your works is a master painting lesson. If we add limitless creativity to that, the result is a formidable artist. IT'S OVERWHELMING TO ME. I understand “Stendhal syndrome.” It's so beautiful it hurts. What an outrage, you are from another planet. My deepest admiration.
Ti ringrazio, Sei molto gentile

©2023 Costantino Di Renzo

SafeSearch
©2020 Costantino Di Renzo
Excellent travail ! magnifique

©2023 Costantino Di Renzo

Boytsov
•
Поразиельно ! Просто поразительно. Хочется жить когда смотришь на такое исполнение. Браво Мастеру !
Amazing! Simply amazing. You want to live when you look at such a performance. Bravo Master!

©2023 Costantino Di Renzo

©2023 Costantino Di Renzo
Absolute Masterclass! Bravissimo!!!

©2024 Costantino Di Renzo

©2021 Costantino Di Renzo
Vos œuvres sont superbes et décèlent beaucoup de sensibilité.

©2023 Costantino Di Renzo

©2024 Costantino Di Renzo
excellent et très impressionant

©2023 Costantino Di Renzo

©2024 Costantino Di Renzo

©2022 Costantino Di Renzo
Is there any possibility to come into contact with the artist? I would like to ask him a question about a commission.
Ne "Il vedovo", trovo impressionante non solo l'aspetto tecnico, che rasenta l'iperrealismo, ma il fatto che quest'ultimo dà modo alla foto dell'amata (che forse è reale e materialmente aggiunta) di emergere in tutta la sua potenza emo-evocativa. Complimenti vivissimi per il suo lavoro.

©2022 Costantino Di Renzo
j'adore ! votre travail est incroyable ,,,

©2023 Costantino Di Renzo
impressionante, comme Caravaggio!
impressive, like Caravaggio!

©2023 Costantino Di Renzo
Welch ein Können, fast überirdisch!
What skill, almost unearthly!

©2023 Costantino Di Renzo
Wieder ein unglaublich ausdrucksstarkes Werk. Ich freue mich schon auf das nächste Bild.
Another incredibly expressive work. I'm already looking forward to the next picture.

©2022 Costantino Di Renzo
incroyable rendu de toutes les matières !!
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