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sick and beautiful 1 (velvet) (2018) Photography by A-Design-A
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Limited Edition (#5/10)
Photography,
Non Manipulated Photography
/
Digital Photography
on Paper
- Dimensions Height 23.6in, Width 15.8in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Photographs under $500 Figurative Nature
A prima vista , questa foto ,a molti potrebbe far pensare a una elaborazione digitale. Soltanto per l’agricoltore è una malattia da debellare, che sicuramente non sarà mai nelle condizioni di vedere e trovare la bellezza in una foglia malata del suo albero. Vede soltanto un danno economico alla sua azienda.
La natura crea l’opera. A noi il compito di trovare il bello nell’unicità della sua forma e dei suoi colori. Una percezione fortemente influenzata dal nostro stato emotivo e fisiologico che ne determina l’interpretazione del singolo individuo.
Proviamo sempre compassione e solidarietà per chi è afflitto da una grave malattia? Più facilmente per chi è malato di cancro o ha perso un arto ma raramente per chi è malato di depressione o di schizofrenia. Il diverso dal quale provi fastidio e vuoi allontanarti. Avremmo avuto le grandi opere artistiche dei “folli” se la malattia mentale non avesse tormentato la loro esistenza? Se questi fossero stati “normali”?
La stampa sarà realizzata su carta Ilford Fine Art Baritata 270gsm.
La carta Ilford Fine art Baritata è composta al 100% di cotone, caratterizzato da una texture morbida unica e una finitura semilucida, Ilford Fine art Baritata è ideale per immagini ad alta definizione con una gamma tonale estesa che lo rende un must per stampe di qualità espositiva.
Questo supporto versatile è perfetto per immagini a colori con vivacità e profondità o per produrre una ri-creazione simpatica di immagini tradizionali in bianco e nero.
Le stampe vengono eseguite con un bordo bianco di alcuni cm esterno all'area dell'immagine per consentire una facile archiviazione
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It all started by chance. One summer morning, many years ago, I thought of thickening an entire wall of the room I had at my parents' house by placing books and objects on shelves lengthwise and lengthwise. I then turned to a local blacksmith. But every time I went to his shop he told me: "come back in three days... come back next week... I didn't have time..." And so I stopped going. I didn't go to any other blacksmith in the town. I thought that I would make the bookcase, in my own way and with my own hands, even though I didn't know how to do it given my lack of technical and artisan knowledge. In anger he begins to realize it in my mind, visualizing every single part of its structure. I purchased an electrode welder, a grinder and a drill. Tools that I had never used and that I had to learn to use. What I created was a "ramshackle" structure that didn't satisfy me at all. Practically a disaster! After the first failed attempt I started working again to create another one. But I made part of it and then destroyed it to start the work all over again after some time. If on the one hand my work wasn't progressing at least I practiced and acquired the technique.
I believe that the greatest failure is when we give up on our dreams, when we give up on becoming who we are. You can accumulate many material goods, have substantial bank accounts, but if everything you have achieved has been done against your feelings, if you have chosen not to take risks, if you have preferred certainty to uncertainty, if you have bent down and done you have failed to be influenced by the sensible advice of others. Regrets kill and unhappiness at work is a slow death.
- Nationality: ITALY
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Italian Artists