Lina Counts Pearls (2022) 绘画 由 Velta Emīlija Platupe

粉彩在纸上, 44.9x23.6 in
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Little Lina has the most beautiful pink cheeks in the world, she loves cats, pink color and being pretty. There she is depicted at the busy and serious moment of making herself a pearl bracelet. There are abstract shapes and a mysterious skull above her because even in the safe haven of happy childhood danger is always lurking. I have used natural[...]
Little Lina has the most beautiful pink cheeks in the world, she loves cats, pink color and being pretty. There she is depicted at the busy and serious moment of making herself a pearl bracelet. There are abstract shapes and a mysterious skull above her because even in the safe haven of happy childhood danger is always lurking. I have used natural pigments like hibiscus tea and henna to achieve the greyish dark tones in the background, which are complemented with pastels and ink.
The art of portrait is a symbiosis between the artist and the model. Skill is important on artist's side, and so is patience and trust of a model. In the times of countless selfies we all know our best angles and representative smiles, but the collaboration of artists and models has a different value, it shows every vulnerability of a person.
The sitting person is not allowed to move and talk very much, so the person is forced to think. In the process of sitting, various expressions and feelings cross the face of a model. The artist is often privileged to see the hidden personality traits of the model: the cynics become romantic, the stoic become gentle, the happy become melancholic. Then comes the moment of truth when the model gets to see the result of meditative patience and artistic efforts.The experience of model-artists relationship can be linked to the ancient tantric practice of eye gazing, which can be transformed into respectful attentiveness, benevolent contemplation of other person. The artist respects and distinguishes emotional and physical traits with admiration and care while depicting it. It can help at moments when the model feels insecure or depressed about his/her appearance (in cases of of illness or old age, for example). It serves as a tangible proof of person's outer and inner beauty because it is perceived and captured on paper. The long and painstaking painting process itself serves as proof of worthiness of a model: people in doubt receive an evidence of their value as human beings. “Do you see what I see?” I ask, while the model ponders at the drawing. The art of portrait is a symbiosis between the artist and the model. Skill is important on artist's side, and so is patience and trust of a model. In the times of countless selfies we all know our best angles and representative smiles, but the collaboration of artists and models has a different value, it shows every vulnerability of a person.
The work is painted on 300 g/m² Arches watercolor paper and is not framed.

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Multidisciplinary artist Velta Emīlija Platupe has a special ability to evoke a magical mood in space and plane where baroque splendor allows the beautiful and the eerie to mingle. She graduated with a MA in[...]

Multidisciplinary artist Velta Emīlija Platupe has a special ability to evoke a magical mood in space and plane where baroque splendor allows the beautiful and the eerie to mingle. She graduated with a MA in Contemporary Art from the Ecole Supérieure d’Arts & Media de Caen/Cherbourg in France, and obtained a master's degree in painting at the Latvian Art Academy. Velta Emīlija has been active in the Latvian art environment for more than ten years. Public attention has been attracted by her personal exhibitions ("Proofs of the Official Death of Love", "Forgiveness is Not Possible", "Invertebrates", "Magical Sea Creatures. Wher to Find Them?", "Unveiling for Night Birds") and the visuals of theater performances ("Casanova", "Persian Lessons", "The Tale of Old Death" (nominated 2014/15 for the "Gamers' Night" award of the year) etc.). The artist created objects from different materials which are sometimes difficult to perceive as sculptures or dolls, so as not to create redundant word (too narrow or broad) connotations. Her figures are able to come to life both in the theater and in the exhibition hall, reminding about an important tradition of puppetry in the world and in Europe, which is unfortunately scarcely represented in Latvia. Velta Emilija Platupe says about herself that she can (and does) paint with her whole body, supplementing it with a brush, needle, or other tools if necessary.

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