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Flowers (4) (2024) 绘画 由 Tatiana Karchevskaya
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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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原创艺术品 (One Of A Kind)
绘画,
丙烯
/
标记
在帆布上
- 外形尺寸 高度 15.8in, 宽度 11.8in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$500 插图 花
This work is made in mixed technique, with acryl paint and marker on canvas, comes with a certificate of authenticity.
After the sale of the painting, I reserve the right to print this image in other types of products.
poppy, poppies, illustration, summer, flowers, spring, springtime, red, mood, expression, beauty, red flowers,
相关主题
Our world is beautiful, at least I see it that way. Beauty is everywhere, but still is not enough, more is needed. I feel that my mission is to bring beauty to this world, to multiply it. When I write my works, I get great pleasure and satisfaction from the process. I create new worlds that are colorful, bright, and happy. I see sources of inspiration everywhere. Flowers and trees, animals, music, paintings of famous masters from the past, all this give me strength, mood, and energy to paint.
I am very impressed by the theme of ruinisation, I see a lot of beauty here and I want to show it to others. When I draw, for example, a rusty kettle, it is not just a frozen moment of life, the viewer can see a long period of time, from the creation of this kettle, the time when it served people, gathered family and guests for cozy tea parties in the evenings, then old age and death ... This is very similar to human life. And I want to show that aging also has its own beauty, its own charm.
In my work, I try to combine the classic and naive styles, with oil and acrylic paint on canvas and paper. Simplification of the plastic language of painting allows me to focus on the color scheme of the painting because I am a colorist and by education, I am an interior designer. Therefore, when I do my work, I immediately think about how it will look in the interior. And now I am working on a series of works, which I called "painting for a loft", I think the theme of ruinisation matches perfectly for this style. In this topic, I see a huge variety of perspectives and possibilities for my creativity.