African Tribal woman (2023) 绘画 由 Tashfeen Rizwan

粉彩在纸上, 16.5x12.6 in
US$8,700
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卖家 Tashfeen Rizwan

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最大分辨率: 1524 x 1962 px
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卖家 Tashfeen Rizwan

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Painting indeed serves as a genuine portrayal of emotions and expressions of life in African tribal culture. It reflects the shine and happiness that exist alongside the struggles faced by those who may be hungry, victimized, or abused, often being treated as taboo in society. Their pain and deep emotional turmoil should be acknowledged with empathy[...]
Painting indeed serves as a genuine portrayal of emotions and expressions of life in African tribal culture. It reflects the shine and happiness that exist alongside the struggles faced by those who may be hungry, victimized, or abused, often being treated as taboo in society. Their pain and deep emotional turmoil should be acknowledged with empathy and respect. It's essential to recognize the beauty that lies within them and treat them as fellow humans.

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African Tribal WomanExpressionConceptualContemporarySymbolism

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Born in Larkana,1977 which is just 25 km from Mohenjo-Daro Indus valley civilization. I come from an artistic family—my father is a painter, an educationist, and a progressive thinker. He loves me a lot as[...]

Born in Larkana,1977 which is just 25 km from Mohenjo-Daro Indus valley civilization. I come from an artistic family—my father is a painter, an educationist, and a progressive thinker. He loves me a lot as I'm his only son with two daughters. I'm the eldest among us all. I was a shy child, often taunted and bullied for being very slim and wearing glasses at a very early age. This affected my confidence, but I fought internally and participated in sports activities. As I grew up, I opened a badminton club named Winner Club and organized district-level competitions. Besides that, I completed my studies. I wasn't good academically and disliked the conservative limitations imposed on me, as they created a burden and pressure. joined a bank  in home finance, having completed a master's in economics.
I enjoyed meeting different people and having lovely conversations.
I wanted to work in the art world but never thought of becoming a visual artist. My father had established an art gallery named Mother Gallery 1999, and I had a strong interest in arranging seminars, displaying artwork, dealing with the press, and participating in art discussions. Eventually, I decided to quit my job and dedicate myself full-time to art as a curator. I was associated with Mother Gallery for 16 years before moving to Karachi, where there were more opportunities, but I couldn't connect with any.
Time passed, and during the COVID-19 lockdown, I questioned my identity and what legacy I would leave behind. In July 2021, I bought some oil pastels and a book to start painting. By doing art, I became free from all pressures and realized this was my passion. Since then, I have worked daily for 2 to 3 hours, reading about art, posting on social media, and becoming a professional artist. Recently, in July 2024, I was invited as a guest artist on a TV program and received my first recognition.
People often ask how I portray such intense expressions in my portraits. I always say that when I start painting, I have no idea—just lines that form a visual, and then I follow the rhythm until the painting is completed. My sources of inspiration are human psychology, suffering, and the oppressed class. While I am a happy man, when I see people suffering, I feel a strong desire to correct these injustices. I know we don’t have an Aladdin's lamp to solve all problems instantly, but through my art, I hope to make a difference.

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