Tamás Gyebrovszki

Budapest, Hungary •

Artist (Painting, Digital Arts) •

Born 1967 •

The joy of creation led me to make paintings and drawings.

As a child, my favourite activity was drawing. I used to draw everywhere: figures on sticky notes, sailboats on sheets of paper, animated scenes on the edges of the pages of my textbooks, or beautiful women secretly on my desk with graphite, and I corrected the mistakes with my finger. My father was a painter who, in the fifties, learned from the painter Lajos Luzsicza, who was the director of the Budapest Art Gallery, Hungary. I feel that I got the love of drawing from my father. I went to a technical field, where although there was representation, but not in an artistic way, so I had few opportunities to create. In 1997, I obtained a degree in IT engineering, and after that I turned to drawing again, I also flirted with painting. Digital drawing and painting were my first artistic experiments. In 2018, I started visiting art camps in different places in Hungary. My first masters were Marianna Bottyán and István Cene gál, to whom I owe a lot: they helped me a lot in learning professional skills, technique, knowledge of materials and, for example, in composing pictures. The camps gave me a strong inspiration to learn painting as a profession and to develop my own creative art. In 2021, I started to study at Szamalk-Salezian High School, (professional ID: 02134002). I created hundreds of jobs during the training. During my school years, I further developed digital painting under the guidance of Zoltán Kovács János, as well as created pictures with many charcoal, graphite, pastel chalk and ink drawing techniques under the supervision of many art teachers. I also created a large number of acrylic, watercolor and oil painting techniques. I also learned fresco, secco and icon painting techniques under the guidance of Andrea Cecíllia Szabó. My exam painting was Florence - Ponte Vecchio. I graduated in 2023 with excellent results. I live in Budapest and the built environment has a great influence on me. In addition to the picturesque representation of buildings and machinery, I am also interested in creating impressionistic landscapes. I take many photographs for the studio work, which I eventually create as a painting. I like to paint both in the studio and en plein air.

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