la breche (2023) Painting by Sophie Dumont

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1500 px
Dimensions of the file (px) 1500x1500
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Right of reselling No
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  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions 22.4x22.4 in
    Dimensions of the work alone, without framing: Height 19.7in, Width 19.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Floating Frame)
  • Categories Paintings under $5,000 Expressionism Landscape
Dans l'enchevêtrement des parcelles de champs normands, traduit par Sophie Dumont, la palette reste dominée par le greige et l'ocre, avec un ocre rouge orangé qui apporte toute la lumière au tableau. L'artiste superpose habilement les couches sur la toile, conférant aux teintes une véritable vibration et une matière généreuse. La palette de greige [...]
Dans l'enchevêtrement des parcelles de champs normands, traduit par Sophie Dumont, la palette reste dominée par le greige et l'ocre, avec un ocre rouge orangé qui apporte toute la lumière au tableau. L'artiste superpose habilement les couches sur la toile, conférant aux teintes une véritable vibration et une matière généreuse.
La palette de greige et d'ocre orchestre une délicate harmonie, reflétant les tons nuancés du paysage rural normand. Les teintes de greige évoquent les nuances naturelles des champs, tandis que l'ocre rouge orangé injecte une lumière rayonnante dans la composition. Cet jeu de couleurs crée un tableau visuellement captivant qui reflète la jouissance de la lumière à travers les champs.

Related themes

AbstraitPaysageBleuBlancOcre

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Sophie Dumont is a contemporary French painter. Her landscapes evolves in modulations with blurred contours, to suggest volumes more than to draw a precise motif. The palette, in often more muted tones, suggests [...]

Sophie Dumont is a contemporary French painter. Her landscapes evolves in modulations with blurred contours, to suggest volumes more than to draw a precise motif. The palette, in often more muted tones, suggests more than it imposes a resembling construction. The freedom of the artist joins that of the spectator, invited, whatever the theme, to enter the canvas to bring his interpretation and let himself be invaded by his own emotions. The multiple layers of matter patiently elaborate the transparencies from which the lights emerge. 

Certain paintings can evoke the influence of Nicolas de Staël by their graphic simplicity, and tend by their fluidity, towards a lyrical abstraction which erases the visible appearances of reality. The variations of black, gray and white, for example, concentrate all the energy contained in nature, in a play of perspectives and lights where the line fades to the benefit of the general atmosphere of the canvas. But at the same time the style follows a continuous evolution which will be expressed later in a series on libraries, where the book appears more as an evocation of a culture than as an everyday object. 

Sophie Dumont was born in 1964, in Paris. Her works have been featured in solo and group exhibitions nationally.


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