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La fin d'un monde (2024) Sculpture by Serendipity Liche
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Original Artwork (One Of A Kind)
Sculpture,
Bone
on Wood
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Dimensions
4.7x3.9 in
Dimensions of the work alone, without framing: Height 3.9in, Width 3.2in / 0.30 kg - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed
- Fit for outdoor? No, This artwork can not be displayed outdoor
- Categories Sculptures under $500 Outsider Art Religion
(the end of a world)
partially burnt bone, used anti-fade wipes reworked with blue dye and acrylics.
i dream of a world where religion would not exist anymore, and especially where people would not want to propagate *their* religion and its criteria to others.
as a little bonus, the frame used to have some texte about my deadname inside, so it really *is* the end of a world :p
Related themes
(french below) Serendipity is a self-taught person in the domain of arts, their formation being purely scientific. They have always liked working with several mediums, starting with drawings, painting then modifying and scultping miniatures, writing or, more recently, music. However, they found in 2019 their favorite material, by far : bone, and especially their cancellous (spongy) parts, so beautiful with its chaotic-looking 3d grid, strong despite its delicate look, raising tons of ideas just by looking at it - they like to call it bone lace.They of course does not work with this material only, using as well wood, often from random twisted pieces of wood found everywhere, and some rusted nails.Their name was not chosen randomly, since serendipity is their main way of working, often finding what already lies within the material - mostly cancellous bone or wood - and putting it in the open for all to see, like their "headless dancer" work. Serendipity started more recently to experiment with monotype and all that goes around ; there again, using serendipity is paramount to their way of working.
Serendipity est autodidacte dans le domaine des arts, sa formation étant scientifique uniquement. Ol a toujours aimé toucher à tout, commençant avec du dessin, de la peinture, puis modification (conversion) et sculpture de figurines, de l'écriture ou, plus récemment, de la musique. Ol a cependant trouvé en 2019 son matériau de prédilection : l'os, et en particulier sa partie spongieuse, si belle et inspirante par son chaos 3d de lignes intercroisées, solide malgré son apparente fragilité, qu'ol aime appeler dentelle d'os. Ol ne travaille bien sûr pas qu'avec ce matériaux, mais aussi du bois - souvent des morceaux tordus ramassés un peu partout - et des clous rouillés. Son nom (sérendipité) n'est pas choisi au hasard, puisque c'est sa façon principale de travailler : trouver ce qui existe déjà dans le matériaux - principalement l'os spongieux ou le bois) et le révéler aux yeux de toustes, comme la pièce "headless dancer". Serendipity a commencé plus récemment à s'intéresser au monotype et ses variations ; là aussi, la sérendipité est des plus importantes dans sa façon de travailler.
- Nationality: FRANCE
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary French Artists