Winterland 16 (2012) Arte digitale da Ken Grzesik

Carta per belle arti, 8x11 in
  • Quest'opera è una "Open Edition" Arte digitale, Schizzo / Stampa digitale
  • Dimensioni Diverse taglie disponibili
  • Numerosi supporti disponibili (Carta per belle arti, Stampa su metallo, Stampa su tela)
  • Incorniciatura Framing disponibile (Cornice galleggiante + sotto vetro, Frame + Sotto vetro acrilico)
  • Categorie Arti digitali sotto i 1.000 USD
The essence of winter distilled into abstract digital fusion imagery explores the relationships between time, place, perception and imagination. Signed open edition prints are available from the artist. A proposito di quest'opera: Classificazione, tecniche[...]
The essence of winter distilled into abstract digital fusion imagery explores the relationships between time, place, perception and imagination. Signed open edition prints are available from the artist.

Temi correlati

AbstractAbstractionAbstract ImageAbstract LandscapeModern

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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement


I think it's possible that beauty can save the world. Then will come a time when every evil we face will be an evil that we can rise above. It will even be O.K. to take our clothes off when we dance. Art will be life and life will be art. That's where I come in. I'm an artist. I promote beauty and creativity with an open mind and a love of nature. My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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Arte digitale | Diverse dimensioni
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Arte digitale | Diverse dimensioni
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Arte digitale | Diverse dimensioni
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