La place st-Barthelemy (2018) Painting by Joseph Saverino

Oil on Canvas, 39.4x27.6 in
$2,626.32
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This fountain is erected in memory of Dieudonné Lambrecht, shot by the Germans in 1916. The inscriptions mention his feats of arms and his military distinctions. They are engraved on the bronze plaques of each oculus. The fountain is built with materials from the old Saint-Lambert cathedral. Square, surmounted by a dome crowned with a pine cone, like[...]
This fountain is erected in memory of Dieudonné Lambrecht, shot by the Germans in 1916. The inscriptions mention his feats of arms and his military distinctions. They are engraved on the bronze plaques of each oculus. The fountain is built with materials from the old Saint-Lambert cathedral. Square, surmounted by a dome crowned with a pine cone, like the steps, it is surrounded by four semi-circular basins. 70 x 100 cm. Technique Mixte

Related themes

LiegeVilleFontaine

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Conceptual Art Liege ville fontaine
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Joseph Saverino Portrait
Joseph Saverino
Belgium
Giuseppe (Joseph) Saverino    – 62 ans.  Né le 01 avril 1958 à Ougrée - Cours de dessins et de peintures dispensés par correspondance: Ecole ABC de Paris entre 1968 et  1973.  A obtenu le 1er Prix International[...]

Giuseppe (Joseph) Saverino    – 62 ans.  Né le 01 avril 1958 à Ougrée - Cours de dessins et de peintures dispensés par correspondance: Ecole ABC de Paris entre 1968 et  1973. 

A obtenu le 1er Prix International de peinture - prix coup de coeur de la ville de Coubron (PARIS en 2023) avec la peinture ' Tendresse' - Expo du 16 au 26 novembre  2023

1er Prix international de peinture au concours ' René Théwissen" en 2014 avec 40 artistes en compétition

Voilà bien un artiste qui nous surprend à chacune de ses expositions.

Son style personnel  se reconnaît dans toutes ses créations dans lesquelles des mélanges surprenants sont réalisés entre les matières (cristaux de verre, de sable, de papier, plâtre, vernis divers, sciures de bois,… ) et les différents médiums de couleurs. Son métier de chimiste l’aide dans cette tâche ou des associations peu probables sont générées.

 

Le mélange de matières est surtout utilisé dans des compositions plus abstraites mais pas toujours, lorsque c’est possible, j’utilise matière pour sculpter des formes humaines ou non directement sur la toile. Après des séances de poses, séchages, des couches de vernis successifs sont ajoutés. Vient alors une dernière phase, celle du  poudrage de verres fins, colorés ou non. Un pinceau vient finir le travail pour donner plus  de relief, de profondeur.

Ma philosophie dans la création d’œuvres picturales est simple : donner du ressenti, une émotion chez les personnes lorsqu’ils regardent une de mes peintures.

Que ce soit avec matières ou pas, plus figuratif ou non, un choix de thème ( une série) est généralement choisi, les créations ont alors une sorte de fil rouge à partir duquel je laisse aller mon inspiration

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