Glitch 002 (Vanitas after Cy Twombly) (2022) 数字艺术 由 Romeo Madonna

美术纸, 11x8 in

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艺术图片银行
  • 该作品是“开放版” 数字艺术, GicléePrint / 数字打印
  • 外形尺寸 几种尺寸可供选择
  • 独家支持 (美术纸, 金属上的印刷, 画布上打印)
  • 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
  • 艺术品状况 艺术品完好无损
  • 分类 表现主义 虚荣
Vanitas is a recurring subject of my practice, because I am obsessed with the perfect example of life and death given beautifully by flowers. Every time that I start a new composition I am excited and at the same time I am willing to include some flowers that I already picked. Fields of digital blossoms are in the world wide web to be found and I like [...]
Vanitas is a recurring subject of my practice, because I am obsessed with the perfect example of life and death given beautifully by flowers. Every time that I start a new composition I am excited and at the same time I am willing to include some flowers that I already picked. Fields of digital blossoms are in the world wide web to be found and I like to give a second life to some of the ones I already put in my basket once. Sometimes I personally photograph them in the physical world and then I cut them with my digital cutter.
Glitching is a method to visualize a different balance and movement to the composition but also a metaphorical link to the unexpected results in life. The idea of provoking a malfunction in colors and alignment is inspired by the kintsugi technique where the wabi-sabi vision of beauty merge with the idea of memento mori. The connection with painter Cy Twombly can be found in the attempt of translation of flowers.

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VanitasFlowersSkull ArtMonsteraPixel

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Romeo Madonna (London, 1987) is a collage artist based in Florence where he currently lives and works. A self-taught visual artist, collage - both digital and analog - represents his favorite means of expression, [...]

Romeo Madonna (London, 1987) is a collage artist based in Florence where he currently lives and works.

A self-taught visual artist, collage - both digital and analog - represents his favorite means of expression, the investigative method of his research and the synthesis of the philosophy underlying his artistic practice.

A film student at the Roma Tre University with the aim of becoming a screenwriter, he attended the Academy of Fine Arts because he was obsessed with engraving and printing techniques. His professional experiences in the field of mixology and luxury retail contributed significantly to defining the traits and themes of his artistic identity, fusing a digital approach with traditional techniques.

Visions of time, beauty, identity and death are recurring themes in his works.

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