“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
Artmajeur仅使用从知名造纸商中精选的具有中性pH,耐性和高质量的天然纸!
无论是在色彩控制还是在图形链方面,我们的主打印机一直都在关注。我们对质量的高要求是Artmajeur裱框艺术品的主要资产。
关于艺术家! 您可以帮助艺术家活出自己的生活。 每当您购买印刷品时,他们都会获得使用费。
关于我们的优良打印-
该作品是“开放版”
数字艺术,
GicléePrint / 数字打印
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
American born in 1947 in Rochester, N.Y., Mols was interested in art at a young age. The son of a composer and gifted flutist, co-founder of the music dept. at the University of Buffalo, Robin was surrounded by the sounds of chamber music, opera, jazz, big bands and a lively but serious approach to the classics. He realized early on that the history of art and music is synonymous.
Robin studied art and painting at New Paltz State College, N.Y. from 1965-’67. Then from 1967-’69 he studied painting and graphics at Pratt Institute, NYC. An independent study in Europe rounded out the schooling years.
Mols felt the attraction of the West and in 1970, he moved to Aspen, Colorado to begin his professional career in the arts. The next 11 years were fruitful and diverse. Working in film, design, illustration, portraiture, and the fine arts, he developed the highly stylized figures and landscapes, which would become one of his trademarks. This ethereal style grew alongside his veneration for color and the powerful effect it has on mood and atmosphere, which is evident in his current work.
Over the years Mols has lived and worked in different places in the world: Haiti, Chile, France, Santa Fe, NM, Colorado, and New York, where he currently resides in Eden.
Evolving out of the diversity of the post-modern world where one could move freely between the extremes of realism and abstraction, Mols’ work consistently fused the two ends of the spectrum. In a century that has witnessed a complete transformation of image, he has in his own eclectic way, changed with the times. It is the voice within the artwork that is the central character that he wishes to focus on. Painting remains at the core of Robins’ work.
“The range and vastness of the possibilities that can be explored on a single canvas is as great as it ever was and perhaps ever will be”. RPM