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HARVEST MOON (2019) Painting by Robert Craig Grassle
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It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

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1500 px |
Dimensions of the file (px) | 1363x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
on Canvas
- Dimensions Height 32in, Width 32in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $1,000 Conceptual Art History
THE NINTH MOON IS THE HARVEST MOON- SEPTEMBER THE MOON CORRESPONDS WITH THE TIME OF HARVESTING CORN. THE ORANGE AND DARK COLORS OF YELLOW ARE REPRESETATIONAL OF WHEAT AND CORN. THE RABBIT HOVERS ABOVE THE ACTIVITY OF THE HARVEST AND ITS PRIMARY COLORS ALMOST LOSE OUT OF RECOGNITION.
Related themes
My inspirations originate from my family experiences and professional career as an architect. I learned the use of color and its relationship to emotion from my mother. Encouragement with experimentation, creativity, and originality from my father, and persistence from both parents. I spent my early childhood along the Mississippi River, boothill of Missouri, and later in life in the Ozarks of Missouri. My adult education in architectural design from the Ozarks in Arkansas. As a trombonist, I pull compositions from my musical background as well as my art and architectural education. I am a practicing architect in Houston, Texas. I use bright and vibrant colors within my work to suggest emotion and wonder. When you analyze my compositions, I suggest you observe the negative space revealing concepts beyond the subject matter. Shadows appearing on supposed physical items, or created by proposed elements that don't actually exist, yet are insinuated. Long strokes of color also illustrate movement and action.
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Nationality:
UNITED STATES
- Date of birth : 1959
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary American Artists