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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 31.5in, Width 15.8in
- Framing This artwork is not framed
- Categories Figurative
Related themes
Richard Silvaggio was born in Melbourne (Australia) on 2/15/1976. He enrolled at the Academy of Fine Arts in Carrara and in 2008 he graduated with honors (110 cum laude), with a thesis entitled FREAKSHOW, "Ugly and evil in art from the Middle Ages to contemporary art" , with Omar Galliani as supervisor.
His artistic career begins following grotesque themes, combining pictorial representations (often depicting clumsy and ugly characters), physical objects, installations, with the aim of giving greater completeness to the titles of the works. Subsequently he puts aside the bizarre aspect to follow a more delicate and decidedly more figurative line. The female figure, the movement and elegance of the body become a strong point for the artist. He completely abandons the use of color to devote himself solely to the monochrome image. The genius of his painting lies in the wise and elegant use of "non-colour". In fact, Richard manages with the exclusive use of black and white to create light / dark effects that make his figures plastic.
Those of his latest production, which he calls "The archetypes of nothing", are hidden identities, floating in an undefined space, ethereal, harmonious women, sometimes imposing as if to demonstrate that it is the soul that imposes itself and not the materiality of the body. His is an original language, almost provocative towards that contemporary art that sometimes bends to the clichés of the market: his is a freedom that allows him to constantly get involved by challenging the present.
Richard Silvaggio gives us his poetic vision of the unconscious, in a series of beautifully painted canvases and boards in oil. Like archetypes of childhood visions of ghosts, white sheets circulate suspended in the void in his works, filling with amazement those who observe them wandering in the void or resting, allowing a glimpse of the silhouette of whoever is their owner without ever revealing their appearance. Richard Silvaggio maintains the taste for the enigma unchanged, reviving it with refinement of intellect and pictorial execution. An artist gifted with a good technique, he tries his hand at describing the soft drapery in shades of grey, white up to intense dark, giving rise to never boring, never predictable grisailles supported by a strong spiritual-conceptual basis. The protagonist is that part of the ethereal being which is thought, called to fulfill the function of filling the existential voids, in this case materialized in candid, disturbing apparitions resulting from the artist's imagination and his ability to manage the variety with paint of its representations.
The artist's aim is to create an intimate dialogue between the work of art and the observer; the painting must transform itself into a sort of silent oracle capable of asking questions and inflicting answers.
Text by the curator Monica Ferrarini.
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Nationality:
ITALY
- Date of birth : 1976
- Artistic domains:
- Groups: Contemporary Italian Artists