1988 Student am Bauhaus Dessau1989 Exmatrikulation wegen politischer Aktivitäten gegen das Regime der DDR1998 Rehabilitation und Diplom für Bildende Kunst an der Hochschule für Kunst und Design / Burg Giebichenstein in Halle1988-2003 freiberufliche Arbeit als Künstler in Halle2001-2002 freiberuflich Arbeit an Medienkunst-Projekten im Auftrag der Volkswagen AG / begleitend zur Markteinführung der Autos Phaeton und Passat W8 ( alle internationalen Automobilmessen und Autostadt Wolfsburg)2001-2002 freiberufliche Mitarbeit im Auftrag der Universität Magdeburg, Fakultät Neuropsychologie (IM Team Neurox) – biologische Parameter (ausgelesen aus dem Gehirn) wurden zur Steuerung in 3D - Welten nutzbar umgesetzt. Meine Aufgaben waren die Entwicklung (+ Programmierung) der virtuellen Welten, sowie die Entwicklung des Gestaltpsychologischen Konzeptes. Die entwickelte Software und Hardware wurde zur Rehabilitation von Patienten einbezogen. Das Projekt vom Bundesforschungsministerium mit dem Innovationspreis für medizinische Technologie ausgezeichnet.2003-2012 freiberufliche künstlerische Arbeit in Cebu City / Philippinen2005-2010 Lehrtätigkeit(Gastprofessur) an der University of the Philippines, in Cebu City, für Bildende Kunst und Design.2007-2012 freiberufliche Designentwicklung im Auftrag philippinische Exportfirmen für den amerikanischen, japanischen und australischen Markt.2017 freiberufliche Arbeit als Künstler in Erkelenz. Seit 2019 freiberufliche Arbeit als Künstler in Weimar ....
Kunst in Sammlungen:
Kunstsammlung der Nord/LB Hannover
Mungyeong Tea Bowl Museum Südkorea
Kunstsammlung der Staatliche Galerie Moritzburg Halle
Kunstsammlung des Landes Sachsen-Anhalt
GRASSI Museums für Angewandte Kunst Leipzig
Sammlung der Artothek am Bonner Kunstverein
Sammlung "Videor Art"
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zahlreiche internationale private Sammlungen
Publikationen:
1990 Kunstmagazin Art1990+2002 Kunstforum International2000 'The Ir-Real of the Real'University of Georgia / The Georgia Museum of Art Athens / USA1995 'Eyes on the City' Sao Paulo /Brasilien2008 Monument Magazine', Architecture and design /Australien2008 'POL Oxygen' Art, Design,Architecture magazine / Australien1993 'The Future Of The Memory' Progetto Civitilla / Italien2001 'Don't talk with your mouth full!' Kunstverlag Nürnberg2000 “XXVII Fidem 2000 Kunstmedaille In Deutschland Berlin ...
zahlreiche internationale Einzelausstellungen
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„Music of Changes“by Andreas Loeschner-GornauThe title "Music of Changes" wanders through its own meanings and is reminiscent of the Chinese oracle book I Ching, the Book of Changes, which reveals universal phenomena.
Lao TzuTao Te Ching: Meaning creates the One.The One creates the Two.The Two creates the Three.The Three creates all things.All things have darkness at their backsand strive for light #and the flowing force gives them harmony..
Pictures at an Exhibition - electronic Musical, Visual Arts Drawing and Video by Andreas Loeschner-Gornau
Piano music and paintings by Andreas Loeschner-Gornau
"Waiting for the Dragon Horse" Synthesizer electric guitar music + video by Andreas Loeschner-Gornau
about the artist
"Slave Labor" Homage to Lucas Cranach the Elder by Andreas Loeschner-Gornau Acrylic on woodI paint only because I program. I program only because I paint.In the nineties of the last century I developed a software which incessantly is creating abstract "picture ideas" - composition.Like a slaveI painted these compositions after the presentation of the computer with paintbrush and acrylic paint on Wooden boards.So I created new pictures and drawings by the master of painting, Lucas Cranach. The software processes scanned images of the work of Lucas Cranach the Elder. The result is new paintings that were created by the software according to the master's style and his pictorial inventions.My software is now able to handle shapes and colour like an artist.People have become slaves to their computers. Artificial intelligence dominates society and the economy, finance and more. Machines are replacing thinking, humanity is becoming stupider and developing backwards into its abyss. Soon people will be slaves to machines. Then the machines will probably displace the artists. But what distinguishes humans from machines is feelings. Will machines also replace feelings with rationality and obedience?Lucas Cranach worked in a factory in the 15th century and during that time, he made woodcuts to illustrate pictures and texts for the bible. He was working with, Gutenberg who at that time developed the printing machine. It was an important part of an evolution, especially for the Church and the monks who were interested in books, as it took time to produce handwritten bibles. Printing, at this time was an important business, that is why Cranach and Gutenberg became rich in the area of Wittenberg, Germany.Wittenberg is an area that houses an important university and one of the professors there was Melanchton, who translated the Bible from Latin to Greek. Martin Luther, translated the bible from Greek to German. And Cranach and Gutenberg printed the Bibles translated by Martin Luther, the leader of the Reformist Movement. This has effected for the area to become rich and everyone was employed. Crananch was considered as the richest person in the area of Wittenberg in Germany. He also made illustrations for Martin Luther.To satisfy the Catholics and kings he also painted nudes and nymphs and designed for textile.He had a lot of contracts, so that in time- he had to employ so many artists to work for him. As there was high employment during his time, Lucas Cranach ran a large workshop and worked with great speed, producing hundreds of works, which gave way to provide employment (with the demand in his art works.)After the fall of the Berlin Wall, Wittenberg, or more precisely the federal state of Saxony-Anhalt, was considered the poorest federal state in Germany and had the highest unemployment rate.In the same tradition as Lucas Cranach, I wanted to solve the problem of unemployment in the artistic tradition of Cranach. So within two years I developed the "artist software" that is able to produce 4,000 pictures every night - New Pictures by the Master Lucas Cranach. In doing so, it could also solve the problem of unemployment. This software should give every unemployed person a book with color drawings and an explanation of how to paint a picture. The decisive factor for my project, however, is the number of computers required. With a thousand computers, around 4 million Cranach paintings are produced every night. In 2003 I wrote a letter to the German Chancellor and suggested using a thousand computers to solve the problem of unemployment, particularly in Saxony-Anhalt. The German Chancellor did not answer me. They preferred to pay welfare. Art is also something that stimulates thought. What politician wants a people who think independently? Ha ha ha. ha ha!
Times can't feel. the faint whips me into the darkness of the night - dr...
"Resurrection" Animated film and synthesizer Music by Andreas Loeschner-Gornau
"The journey is the reward." Music & video by Andreas Loeschner-Gornau synthesizer cartoon animation
Panel Paintings / Oil and acrylic paintings by Andreas Loeschner-Gornau
Who throws the first stone? Music, cartoons, poetry, surrealist work by Andreas Loeschner-Gornau
"Dance of the Charites, goddesses of grace" Synthesizer music cartoon film by Andreas Loeschner-Gornau 2024
Allegory of the cave - to the seventh book of his dialogue Politeía Platon and Sokrates - music and video by Andreas Loeschner-Gornau 2024 via @YouTube
"Shadows on the banks of the Styx beg fervently to Charon" Synthesizer, ...
"The ankle of Achilles" Invulnerability, traitor, Giant battle, sculptur... https://youtu.be/O7iUJiiiW_s?si=UAYmpIa1EqsuROUj via @YouTube #sculpture #art #Poetry #weimar
Relief, Sculpture, twelve monkeys, Arabian Dreams, prophecy, Oasis, Pietà, Resurrection, soul flight ... by Andreas Loeschner-Gornau
Relief "Lamentation of Christ" Sculpture, ceramic, stoneware glazed, iconography, Fine arts
Relief "Actaeon and Artemis" Sculpture, fine art, ceramics, glazed stoneware
Relief "Adam Eve The Apple" Sculpture, 2023 by Andreas Loeschner-Gornau
Relief “Cain and Abel”; Ceramic stoneware glazed by Andreas Loeschner-Gornau
