Cronus (2024) 雕塑 由 Prof. Andreas Loeschner-Gornau
Ceramic, patina, acrylic - The sculpture is galvanically coated with copper and then chemically patinated.
In an ancient myth recorded by Hesiod's Theogony, Cronus envied the power of his father, Uranus, the ruler of the universe. Uranus drew the enmity of Cronus's mother, Gaia, when he hid the gigantic youngest children of Gaia, the hundred-handed Hecatoncheires and one-eyed Cyclopes, in Tartarus, so that they would not see the light. Gaia created a great stone sickle and gathered together Cronus and his brothers to persuade them to castrate Uranus.
Only Cronus was willing to do the deed, so Gaia gave him the sickle and placed him in ambush. When Uranus met with Gaia, Cronus attacked him with the sickle, castrating him and casting his testicles into the sea. From the blood that spilled out from Uranus and fell upon the earth, the Gigantes, Erinyes, and Meliae were produced. The testicles produced a white foam from which the goddess Aphrodite emerged. For this, Uranus threatened vengeance and called his sons Titenes[a] for overstepping their boundaries and daring to commit such an act. After the deed was done, Cronus cast his sickle into the waves, and it was concealed under the island of Corfu, which had been noted since antiquity for its sickle-like shape, and gave it its ancient name, Drepane ("sickle").
While Hesiod seems to imply Cronus never let them free to begin with, Pseudo-Apollodorus says that after dispatching Uranus, Cronus re-imprisoned the Hecatoncheires and the Cyclopes and set the dragon Campe to guard them. He and his older sister Rhea took the throne of the world as king and queen. The period in which Cronus ruled was called the Golden Age, as the people of the time had no need for laws or rules; everyone did the right thing, and immorality was absent. In some authors, a different divine pair, Ophion and Eurynome, a daughter of Oceanus, were said to have ruled Mount Olympus in the early age of the Titans. Rhea fought Eurynome and Cronus fought Ophion, and after defeating them they threw them into the waves of the ocean, thus becoming rulers in their place.
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1988 Student am Bauhaus Dessau1989 Exmatrikulation wegen politischer Aktivitäten gegen das Regime der DDR1998 Rehabilitation und Diplom für Bildende Kunst an der Hochschule für Kunst und Design / Burg Giebichenstein in Halle1988-2003 freiberufliche Arbeit als Künstler in Halle2001-2002 freiberuflich Arbeit an Medienkunst-Projekten im Auftrag der Volkswagen AG / begleitend zur Markteinführung der Autos Phaeton und Passat W8 ( alle internationalen Automobilmessen und Autostadt Wolfsburg)2001-2002 freiberufliche Mitarbeit im Auftrag der Universität Magdeburg, Fakultät Neuropsychologie (IM Team Neurox) – biologische Parameter (ausgelesen aus dem Gehirn) wurden zur Steuerung in 3D - Welten nutzbar umgesetzt. Meine Aufgaben waren die Entwicklung (+ Programmierung) der virtuellen Welten, sowie die Entwicklung des Gestaltpsychologischen Konzeptes. Die entwickelte Software und Hardware wurde zur Rehabilitation von Patienten einbezogen. Das Projekt vom Bundesforschungsministerium mit dem Innovationspreis für medizinische Technologie ausgezeichnet.2003-2012 freiberufliche künstlerische Arbeit in Cebu City / Philippinen2005-2010 Lehrtätigkeit(Gastprofessur) an der University of the Philippines, in Cebu City, für Bildende Kunst und Design.2007-2012 freiberufliche Designentwicklung im Auftrag philippinische Exportfirmen für den amerikanischen, japanischen und australischen Markt.2017 freiberufliche Arbeit als Künstler in Erkelenz. Seit 2019 freiberufliche Arbeit als Künstler in Weimar ....
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Publikationen:
1990 Kunstmagazin Art1990+2002 Kunstforum International2000 'The Ir-Real of the Real'University of Georgia / The Georgia Museum of Art Athens / USA1995 'Eyes on the City' Sao Paulo /Brasilien2008 Monument Magazine', Architecture and design /Australien2008 'POL Oxygen' Art, Design,Architecture magazine / Australien1993 'The Future Of The Memory' Progetto Civitilla / Italien2001 'Don't talk with your mouth full!' Kunstverlag Nürnberg2000 “XXVII Fidem 2000 Kunstmedaille In Deutschland Berlin ...
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