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原创艺术品 (One Of A Kind)
绘画,
彩瓦
/
喷枪
/
喷漆
/
塑料
/
树脂
在金属上
- 外形尺寸 高度 39.4in, 宽度 39.4in
- 是否含画框 此作品未装裱
- 分类 画作 低于US$20,000 抽象主义
PRANNA is an artist who works in anthropomorphic cyber-realism style (technique). In the spotlight of her art is a person who has entered to the space of digital reality, the borders of which have not yet been fully explored. PRANNA is attempting to do this by creating paintings and sculptures from recycled plastic.
PRANNA is the founder of a new style - parametric symbolography, in which through the symbols embedded in the cultural-historical code, the role of human in the digital world of accelerated information flows and the principles of the self-determination in the 21st century are explored.
“Who are we today? Where are we going?" - perhaps these simple and at the same time extremely complex questions PRANNA asks the world in which each of us literally grows together with our smartphone, and virtual reality has penetrated into every cell of our bodies. However, the artist does not oppose the "digitalization" of modern homo ludens - the "person playing", as defined by Johan Huizing. The philosopher believed that the game moves a person forward, helping to construct and adapt an ever-changing world - PRANNA adheres to the same idea. The motive of the game with a new conditional (that is how virtualis is translated from Latin) field is one of the main in her work.
The artist is engaged in the creation of paintings and sculptures in the author's technique, as well as multimedia and digital installations. Her video works were presented at the Cannes Lions festival and awarded by members of the international jury. PRANNA exhibits can be seen in the exposition of the Tretyakov Gallery and other state museums, as well as in private collections around the world.
Art objects made from recycled plastic are the result of an analysis of the cultural codes of the present and future.
Thus, PRANNA in Her search not only refers to the traditions of the past, but also helps to build a future in which ecologically damaging plastic turns out to be both a material and a symbol of the consequences of human presence in the new world, transforming into real examples of artistic culture.
