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Stooky Bill (2024) Painting by Simon Houlton
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
/
Collages
on Canvas
- Dimensions Height 39.4in, Width 27.6in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $5,000 Outsider Art Technology
The painting is a splash painting with newspaper added on top later and then the brushwork depicting the TV and antennas added later.
The name Stooky Bill is a reference to John Logie Baird who invented the television in my hometown of Hastings way back in the 1920’s. In early experiments with transferring images, Mr Baird transmitted images of a ventriloquist dummy that he nicknamed Stooky Bill. Hence the name of the artwork.
The algorithm series is a series of paintings about how we are all now living in a dystopian reality at the mercy of bad-faith actors and algorithms. This painting is a way of connecting our current situation with an earlier technological leap.
Written on the TV screen is the question ‘For God’s sake John what have you done?’ which I mean in a Pandora’s box kind of sense.
I read once that John Logie Baird believed that television would lead to a greater depth of understanding between human beings and be a tool to create a more harmonious world. But I have long been of the suspicion that he wouldn’t be very impressed with what we’ve done with the invention he gifted us.
Related themes
Simon Houlton is a contemporary Turkish painter whose artistic journey is marked by a fiercely independent spirit and an aversion to conventional techniques. As a self-taught artist, Simon embraces the freedom to chart his own course through both art and life, preferring to learn from his own mistakes rather than adhere to formal instruction.
Rejecting traditional methods, Simon's work is characterized by bold experimentation and raw expression. He employs bold black lines, splashes, smears, and happy accidents to create pieces that eschew perfection in favor of authenticity. This unconventional approach, often discouraged by formal educators, allows him to convey emotions and narratives with a raw, scratchy aesthetic that resonates deeply with viewers.
Themes of introspection and human struggle permeate Simon's work, with recurring motifs of faces, fish, and skeletons. Many of his portraits serve as windows into his own psyche, capturing moments of emotional turmoil and self-reflection. Through his art, Simon seeks to confront the darker aspects of the human experience—self-doubt, despair, isolation, and societal degradation—in a manner that is both relatable and thought-provoking.
Each painting is a product of spontaneous intuition, guided by periods of silent contemplation and introspection. Simon's goal is not to create pretty or technically flawless images, but rather to evoke deep, visceral reactions in his audience. He aims to challenge societal taboos surrounding mental health and human vulnerability, inviting viewers to confront uncomfortable truths and engage in meaningful introspection. In Simon's world, art is not merely an aesthetic pursuit, but a powerful tool for confronting the complexities of the human condition.
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Nationality:
UNITED KINGDOM
- Date of birth : 1975
- Artistic domains:
- Groups: Contemporary British Artists
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