Painting titled "DANSE CONTRE LE RAC…" by Pierre Peytavin, Original Artwork, Oil Mounted on Cardboard

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DANSE CONTRE LE RACISME (1990) Painting by Pierre Peytavin

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Rating: 4.9 (12664 reviews)

Original

Oil on Paper, 25.6x19.7 in

$691.57

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Seller Pierre Peytavin

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One of a kind

Artwork signed by the artist

Certificate of Authenticity included

Mounted on Cardboard

This artwork appears in 3 collections

Original Artwork (One Of A Kind) Painting, Oil on Paper

Artworks classification

One of a kind (OOAK / Original Artwork)

One-of-a-kind works of art are also known as “OOAK” artworks. This means that every work of art is unique and there will never be another identical one.
Dimensions Height 25.6in, Width 19.7in
Framing This artwork is not framed
Categories Paintings under $1,000 Illustration

DANCE between “colored” people. To work with human beings (men or women) of all races, religions, etc. I adopted the little articulated wooden man who "embodies" human beings in general. It will serve as a support for many works. About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed oil or carnations. [...]

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Pierre Peytavin

France

I was born in 1934. Since college age I have always drawn in a desire to communicate with the desire to do better than what I had as a model. useful claim to surpass myself. I first reproduced according to photos [...]

I was born in 1934. Since college age I have always drawn in a desire to communicate with the desire to do better than what I had as a model ... useful claim to surpass myself. I first reproduced according to photos of portraits of artists of my time in pencil or ballpoint pen. Not to exhibit but to furnish my leisure. Then I moved on to oil painting on canvas or any medium...To be able to pay for my supplies I "practiced" so-called "food" painting: reproductions of all kinds, postcards, landscapes of my region, even going as far as copying master paintings (ex: MILLET's gleaners, FRAGONNARD's reader, RENOIR's cake mill, LHERMITE's harvesters' pay...) Being a teacher by profession, I don't I sold my works only to invest in the material but at all times I kept the paintings which I considered to be my "personal production". My last public exhibition in Nîmes dates from 1990, and today I would like to highlight and possibly sell the hundred works that I keep.....I mainly focused on topical subjects, having a scope " universal".Ex: smoking, ecology, human relations, derision....

My guestbook is my best advocate.