Nature morte au masque en plâtre (2023) Painting by Pierre Pentchev

Seller Pierre Pentchev

Fine art paper, 8x8 in

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  1500 px  

1500 px
Dimensions of the file (px) 1500x1500
Use worldwide Yes
Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions 15.8x15.8 in
    Dimensions of the work alone, without framing: Height 11.8in, Width 11.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Floating Frame)
  • Categories Paintings under $5,000 Expressionism Still life
Peinture originale à l'huile sur toile de 2023. About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly rich in oil for a solid and durable hanger. Technic Painting. Painting is an art form of painting [...]
Peinture originale à l'huile sur toile de 2023.

Related themes

PierrepentchevNaturemorteHuilesurtoilePeintureArtcontemporain

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Pierre Pentchev explores the representation of the figure until, sometimes, its disappearance. Through his mastery of drawing and painting, he joins his peers and takes his place in the long lineage of artists [...]

Pierre Pentchev explores the representation of the figure until, sometimes, its disappearance. Through his mastery of drawing and painting, he joins his peers and takes his place in the long lineage of artists who, since the beginning of humanity, have questioned Being and the universe. The dialogue he establishes with his predecessors, the links he establishes with the world are available to us who look at his works. Pierre Pentchev probes timeless mysteries, the subject fades to better capture the delicate and mystical energy that he perceives.

 

At the end of 2019, he inaugurated a series in gouache on paper which he continues actively. Its title, “Apparition,” evokes what begins to be, to manifest, to become visible. As if emerging from a distant past, human forms with rough outlines seem to emerge from rich material backgrounds, where the blues of the sky, the greens of the water, the oranges of the fire mingle, signs of a time distant where men observed the cosmos with fear and fascination. They finally manage to extract themselves from the primordial magma and come towards us.

From this original matrix, these faceless bodies emerge on the painted surface, a light line of gouache, darker, the silhouettes suggest, nuanced whites illuminate barely sketched postures exalting the anatomy – bent knees, folded arms, curves highlighted by the straightness of a spear or a cane. Yet no narrative is imposed, the freedom of gesture and form is communicative, the viewer absorbs with emotion these distant reminiscences of mythology and art history – Greek sculptures, baroque putti, paintings by Greco, Cézanne or Odilon Redon. Under the brush of Pierre Pentchev, the ellipse is a force which becomes joyful and transcribes a certain form of the sacred.

 

Marie Akar

 

“Apparition is the reassuring and luminous state of full consciousness in which we could abandon ourselves, when faith offers itself to us. Not religious faith, but a sort of Beethovenian, Promethean faith, which would make man better. I have always been convinced that art is one of the means that manages to crystallize this phenomenon, and that this is precisely its vocation – to offer this faith to man. » Peter Penchev

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