Non-figurative spring (2020) Painting by Olga Onopko

Acrylic on Cardboard, 39x27.2 in
$1,237
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Fine art paper, 11x8 in

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I am more and more going into abstraction. I am fascinated by the work of artists who work in this genre and in this style. I often watch their works, and I want to show my vision of non-figurative. In this picture, I thought about the upcoming spring, tried to choose colors that are associated with primroses, melting snow, spring sky. In this work, [...]
I am more and more going into abstraction. I am fascinated by the work of artists who work in this genre and in this style. I often watch their works, and I want to show my vision of non-figurative. In this picture, I thought about the upcoming spring, tried to choose colors that are associated with primroses, melting snow, spring sky.
In this work, I used black paint for the first time in my life. The first version of the picture was without it, but this color was not enough for me to associate with the appearance of thawed patches on black soil, to emphasize tree trunks. Black color in a small amount only emphasized all the brightness of the rest of the shades. The work turned out to be delicate and at the same time intense. And of course, I use my author's technique to depict paintings. Abstract plots give me the opportunity to use them to the maximum extent in my work and fully reveal it as a painter. Layering plays a significant role in my technique, it allows me to make individual pieces of the work more interesting and unique: somewhere with elements of light crackling, somewhere with a textured volume. I pay attention to every detail of the painting so that there are no flat and boring pieces. I set myself the goal that my work would not be able to be repaired or copied exactly. I can break any of my abstract works into many small ones as if they were cut into several parts with scissors. And each such small part will look independently as a separate work. The painting was painted on primed cardboard. It can be designed in different ways, I am attaching photos, samples. Can be immediately attached to any frame without a stretcher: there will be an easy exposure. It can be glued to the subframe from the backside, and only then inserted into the frame. And the third option, if you make a 10-15cm plain cardboard around the cardboard on each side, and only then insert it into the frame. This will increase the size of the painting. In addition, it can be cardboard of any suitable color: for example, black, blue, or yellow. It all depends on your interior.
When decorating my works on cardboard, I give you the opportunity to feel like creators too. This is not possible with a painting on canvas.
I see that this work should be vertical, but I do not exclude that you will like the horizontal position of the picture better. In the horizontal version, it resembles a spring abstract landscape. I have attached examples in the photos section.

Related themes

Delicate AbstractionLarge SizeBig SizeAcrylic On CardboardAcrylic Effects

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Я профессиональный художник, учусь 15 лет. С ранних лет родители покупали мне мелки. Я с нетерпением ждал дождя, чтобы освободить место для нового творчества. Так меня заметил известный художник, и в 10 лет я [...]

Я профессиональный художник, учусь 15 лет. С ранних лет родители покупали мне мелки. Я с нетерпением ждал дождя, чтобы освободить место для нового творчества. Так меня заметил известный художник, и в 10 лет я пошел в детскую художественную школу, которую окончил с отличием и поступил в Воронежское художественное училище. После этого она поступила в Воронежский государственный педагогический университет на преподавателя изобразительного искусства. Я несколько лет преподавал живопись и рисунок в этом университете. Сейчас рисую маслом на холсте. Для меня запах масляной краски - лучший парфюм; Я не могу представить жизнь без этого запаха. Я много путешествую, это доставляет творческие впечатления и эмоции. Мне нравится контраст при максимальной игре цветов.

Свою творческую деятельность я веду в двух направлениях, но объединенных единой авторской техникой. Выполненные маслом на холсте в моей авторской технике вырезаны кистью для детализации в верхнем слое картины. Эти работы многослойны, по манере написания их можно отнести к импрессионизму или реализму. В письме нет четких мазков, невозможно точно повторить такие работы. Я раскладываю каждый цвет на множество оттенков, которые вижу на самом деле. Одноцветный на моих оригинальных картинах может состоять из 10 и более оттенков. Я позиционирую себя именно как художник, далекий от поп-арта и постерной живописи, с каждым годом развиваю свое цветовое видение.

 Второе направление, в котором я могу полностью применить свои живописные способности и безграничную фантазию, - это абстрактные работы, в основном выполненные в смешанной технике (масло + акрил). Именно в этом абстрактном направлении я полностью осознаю себя творческой личностью. Не меняя авторской техники литья, я уделяю большое внимание уникальным фактурам поверхностей. Чаще всего я использую твердые поверхности для своих абстракций именно из-за их многослойности и сложной фактурной поверхности. Именно смешивая разные среды, я получаю большее разнообразие интересных текстур. Я не зря стал абстракционистом. Мне повезло, что одним из моих учителей в художественной школе был известный художник-абстракционист. Он преподавал у нас композицию пять лет, последователь и поклонник Кандинского. В этом направлении возможности и фантазии безграничны. Большое внимание уделяю разработке и поиску новых текстурных поверхностей, поиску новых оттенков, изучению новых материалов. И в то же время каждая моя работа наполнена смысловым смыслом, вдохновлена тем, какие чувства и события символизируют времена года, цветы, деревья, чувства, драгоценные камни. Я стараюсь использовать только самые качественные, дорогие краски и профессиональные грунтованные холсты заводского производства.


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