Eyes on the King verdict (2022) Printmaking by Shepard Fairey (Obey)

Printmaking on Paper, 24x18.1 in
$643.2
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About by Shepard Fairey "I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love[...]
About by Shepard Fairey

"I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love the central pic of a young woman protester in a Malcolm X hat contemplating the scene. I think it is important to consider the symbolic weight of the Rodney King verdict and the emotional impact on communities of color seeking justice and accountability. At the time, 30 years ago, I remember feeling enraged that such a blatant act of police brutality was going unpunished when it was captured on video. It is heartbreaking how frequently similar acts of violence and abuse of power by law enforcement have gone unpunished, even when caught on camera. I don’t ever condone violence or looting, but I understand why LA erupted in riots and protests after the King verdict. When people feel that the American system has failed them repeatedly, things can reach a boiling point. The urge to protest injustice and the right to do so are legitimate, even if looting is not legitimate. The LA riots were a tragic mixture. However, beware of those who try to conflate protest with “criminal agitation” or “inciting a riot.” When the system fails the people, it is nothing short of patriotic for the people to protest for a solution."

Related themes

Ted SoquiRiotsRodney KindObey

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Shepard Fairey, born in 1970 in Charleston, South Carolina, is an American contemporary street artist, graphic designer, activist, and illustrator. He is best known for his iconic[...]

Shepard Fairey, born in 1970 in Charleston, South Carolina, is an American contemporary street artist, graphic designer, activist, and illustrator. He is best known for his iconic "Hope" poster featuring Barack Obama during the 2008 presidential campaign, which became widely recognized and celebrated globally.

Fairey's artistic career began in the late 1980s while studying at the Rhode Island School of Design (RISD), where he developed a fascination with street art, punk rock, and DIY counterculture. He gained early recognition for his "Andre the Giant Has a Posse" sticker campaign, which later evolved into the "Obey Giant" phenomenon. The Obey Giant campaign used provocative imagery and slogans, challenging viewers to question authority and the prevalence of advertising in public spaces.

Throughout the 1990s and 2000s, Fairey's street art and graphic design continued to gain prominence, blending elements of pop culture, politics, and social commentary. His style often incorporates bold colors, striking imagery, and references to propaganda and advertising aesthetics. Fairey's work aims to provoke thought and promote dialogue on issues such as social justice, environmental sustainability, and human rights.

One of Fairey's most iconic works is the "Hope" poster created for Barack Obama's presidential campaign in 2008. The stylized portrait of Obama accompanied by the word "Hope" became synonymous with the campaign's message of optimism and change. The image received widespread acclaim and solidified Fairey's reputation as a leading figure in contemporary art and political activism.

In addition to his street art and political posters, Fairey has exhibited his artwork in galleries and museums worldwide. His exhibitions often feature a blend of street art, graphic design, and mixed media, highlighting his versatility and innovation as an artist. His works are held in prominent collections, including the Smithsonian National Portrait Gallery in Washington, D.C.

Beyond his artistic practice, Shepard Fairey is actively involved in social and political activism. He uses his art as a platform to raise awareness about issues such as climate change, racial justice, and freedom of expression. Fairey continues to be a prolific artist and cultural provocateur, inspiring audiences to engage critically with contemporary issues through art.

Shepard Fairey's impact on street art and contemporary culture is profound, influencing a new generation of artists and activists. His commitment to artistic integrity and social responsibility underscores his enduring relevance in the art world and beyond.

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