Doraton sigu (2024) 绘画 由 Natalie Notyag

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卖家 Natalie Notyag

美术纸, 12x8 in

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This work is like a whisper through a dense veil - an attempt to overcome the invisible line between the inner world of man and the external reality. The dense black forms in the upper plan are a wall, massive as silence, behind which are hidden subtle lines, barely visible, like the breath of the soul. Each layer of this painting speaks the language [...]
This work is like a whisper through a dense veil - an attempt to overcome the invisible line between the inner world of man and the external reality. The dense black forms in the upper plan are a wall, massive as silence, behind which are hidden subtle lines, barely visible, like the breath of the soul.

Each layer of this painting speaks the language of time. The copper flashes at the bottom are reminiscent of warm, vibrant currents of energy seeking to pierce the cold, almost alienated surface. These luminous nuances give rise to the feeling that behind the gloomy shell lies something significant, deeply human - warmth, memory, the desire to be heard.

The graphic elements, applied with surgical precision, turn into a symbolic language that seems to be understood only at the subconscious level. This is an arrow pointing inwards, into the most secret corners of our self. It symbolizes the desire to break through the armor of indifference, to find the way to a sincere dialogue with ourselves and others.

相关主题

Abstract ArtGeometric PaintingBrown Color PaletteMinimalist DesignModern Abstract

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I started drawing since childhood, it was a tool of escape from the hard reality.She studied at the Novosibirsk College of Culture and Arts.For 10 years she lived in St. Petersburg, where she worked as an artist [...]

I started drawing since childhood, it was a tool of escape from the hard reality.She studied at the Novosibirsk College of Culture and Arts.For 10 years she lived in St. Petersburg, where she worked as an artist in computer games, creating fantastic worlds, understandable to the mass culture.in popular culture. I acquired a firmness of hand in graphic techniques. Started to feel like an NPC character in a game called life.called life.Moving to Novosibirsk in 2015 due to the dissolution of my marriage made me think how can I throw away my identity for lack of necessityand live happily ever after?And also in this period there are experiments with different materials and mediums. For example, scenography as creatinga particular living experience for the individual.Since 2021 I have participated in four charity auctions. Charity as a tool to approachthe traumatized individual confined in a broken shell.In 2023 opens her first solo exhibition in Novosibirsk. Participates in group exhibitions and competitions in Russiaand abroad.Her works are kept in private collections in Russia, Austria and India.Since 2024 she is a member of the International Eurasian Union of Artists.Since May 2024 the artist lives and works in St. Petersburg. Moving to a big city, new responsibility, gives her theenergy to form themes of research. Feeling the boundaries of her body, her home, her city, her country.Here comes the urge to comprehend and create abstract works.

I am an interdisciplinary artist. My main mediums are painting and drawing. I create figurative paintings with elements of abstraction, as well asas well as abstract works.Exploring the insularity of the individual. Wanting to seep through this thin but insurmountable boundary of the division of the two worlds, I use thea non-verbal message - intuitive body movements that the other person reads instinctively, unconsciously.To transmit the bodily message I take as a basis the Japanese Butoh dance, where the personality manifests the sensations of the essence of his body in thein movement. One of the steps in creating my art is videotaping these movements and transferring the still images onto canvases.Abstraction is an even deeper dive. They are the inner world of the inner world. You can compare them to the subconscious mind, where there are no words oror images. Even the names are combinations of letters with no concrete images behind them.Abstract paintings have layers, from 3 to 8 paintings created and painted on top. This layering doesn't go away.even though we can no longer see the layers underneath, they leave textural imprints. Just like the human subconscious mind, which is made up of life'sexperience, all the information from the outside world, but not contained by the mind.

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中性笔在纸上 | 11x11 in
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打印 US$28.30
中性笔在纸上 | 11x11 in
不出售
打印 US$28.30
中性笔在纸上 | 11x11 in
不出售
打印 US$28.30
中性笔在纸上 | 11x11 in
不出售
打印 US$28.30

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