Natalie Notyag

At the bottom.
That sounds so bad. I immediately imagine the dregs of society, people who don't swim, don't try.
When I was a kid, looking at bodies of water, I imagined what the water column hid, what the bottom looked like. I wanted to walk on it, to collect things that no one would find. To be part of a secret world.
To this day, when I go to bed, it's like I hold my breath, stopping the flow of thoughts. When they stop pouring and the water recedes, I see what lies at the bottom. Something I dropped as a child into this well. I feel warmth in my feet. I move like a wave, like a warm current. And then I feel cold in my head and I wake up. It brings me back to life every morning.

Each of us is searching for answers. Sometimes they are hidden so deep that the mind can't find them and the senses can't name them. But our subconscious always knows what is important. My paintings are a kind of metaphorical maps that help us enter into a dialog with ourselves. They reveal what cannot be put into words, illuminate hidden aspects of your life and give space for new insights.
When you choose my painting, it's not an accident. Your intuition always points to what you need right now. This choice becomes the beginning of an inner journey. The meanings embedded in the symbols and images are revealed to you gradually, and each one relates to your personal experiences and questions. It is a profound and transformative work on yourself - through the contemplation of art.
I invite you to subscribe to my Artmajeur account, where I post a new image every day. You will discover new possibilities for yourself. Each of my paintings can be your guide, prompt or support at an important moment. Perhaps one of them is already waiting for you to help you find what you have been searching for within yourself.

How many times have you looked at a work of art and suddenly realized, “That's me”? My art is a mirror in which everyone sees something different. And it also reinforces the global theme of my research.
Every line, every texture in my paintings seems subconsciously chosen to touch something deeply personal. This art doesn't dictate, it reveals. You yourself find in it the meanings that are important to you now.
For the viewer, it is not only a visual experience, but also an emotional one. For the gallery owner, it is a guarantee that the exhibition will resonate. And for the collector, it's an opportunity to own something that speaks for them more than words.
When a person looks at my works, he starts a dialog with himself. This dialog evokes emotions: from light nostalgia to bright inspiration and realization that can affect life and qualitatively change it. This is the moment when art becomes personal. And at that moment the viewer realizes that this work should be with him.
I reveal global world themes, tell a modern myth, and fill it with symbols of the soul. And as a human being, I am always in the system, in society. So the actual themes of my paintings give a foundation for reflection. A mirror that reflects you and your place in the world.

Contemporary art has long ceased to be just aesthetics - it has become a mirror in which everyone can see his or her own world. In my works, symbols, lines and images are combined into a single language that speaks to each individual. But what exactly do we hear when we look at these paintings?I explore not just form, but a universal language of symbolism. My paintings are myths of modernity that decipher the subconscious. Looking at these works, the viewer catches a moment of insight: “This is about me!” No wonder, because every detail is filled with archetypal meaning - a bird as an embodiment of freedom, mysterious figures as a reflection of the inner struggle, lines leading to infinity.Each work is like a trap for the unconscious. Once in its orbit, the viewer cannot leave, because the painting begins to speak, as if it had always been waiting for him.
I don't just create images - I form a space in which the viewer feels like a hero. My work reminds us that everything in the world is interconnected: our fears, desires, joys and even chaos. By buying my painting, the collector is not just buying a work of art - he is letting a force into his life that can change his perception of himself and the world.
My art is an invitation. Not just to the gallery, but to herself. Each of my works is a dialog waiting for you. Ready to hear it?

Art is not just jewelry.We're used to thinking that art is beauty. But what if it can be more than that? What if it can protect, inspire, guide? That's how the magic of art works. Each of my works is imbued with subtle connections: between past and future, between the personal and the universal. These lines, images and textures resonate with the soul, as if pulling invisible strings. But why does this happen? It's all about the deep symbolism that is embedded in my works.
Symbols are not obvious, but they speak the language of our subconscious. They are like mantras: the more you are around a painting, the stronger its influence.
Why do collectors choose amulets?They tell me that my works change their space. They create an atmosphere in which one wants to be, to think, to dream. These paintings don't just decorate the walls - they start to work. Like amulets, like amulets, they support their owner, creating a unique feeling of protection and energy.

The world has changed. Instead of the myths of antiquity, there are stories that we create ourselves, but do not always realize. They shape our fears, ambitions and dreams. They influence how we build relationships, what we strive for, what we avoid.  My work speaks to us in a language we have forgotten, but which is deeply familiar.
Here the viewer is confronted with a unique map of their inner world. These are not just images - they are symbols that seem to be written in the language of archetypes. They invite you not only to look, but also to feel, to seek and find.My work can be seen as a deep philosophical parable where every detail is filled with meaning. The people in my paintings are often without faces, but their poses, gestures, even the directions of their gaze say more than any portrait. These are the people we can be ourselves.
Lines and shapes balance between chaos and order, evoking the viewer's inevitable feeling of “there is something more here.” The abstract elements of my work seem to open a window into the unconscious, allowing us to see the world in ways that no amount of logic can show us. We realize that each painting is a mirror. But not flat, but multi-layered, where reality intersects with dreams, fears and what we try to hide.
The mythology in my work is not archaic plots, but images of modern man. These are people searching for answers to eternal questions in an age of technology, chaos and uncertainty.
These paintings give us not just beauty, but a glimpse into ourselves. They remind us that myths are not something distant. They live in us, which means that my art will always be relevant.

Time demands new stories, and with them, new myths. My art becomes the conduit that shapes these myths here and now. My works are not only visual works, but also philosophical texts written in the language of lines, textures and emotions.
Art is like a bridge between worlds. The deeper you delve into my works, the more you begin to realize that they connect not only the past and the future, but also the inner world of the viewer with the external reality. The lines that intersect like destinies, the subtle details that resemble secret messages - all this suggests that these paintings reveal the mystery just when you are ready for it.
In a world ruled by speed and information noise, my art is a place to stop. It is a meditation that inspires reflection and sometimes a reassessment of values. It's as if my work is saying, “Slow down. Look. Feel.” And isn't that what the modern viewer is looking for in art, in life. To understand oneself.

How intuitive movements become art.

What if your body could become not just a carrier of emotion, but a true tool for creating art? I explore this idea through movements inspired by the Japanese dance Butoh, an art form that not only visually expresses feelings, but also delves into the depths of the subconscious. Butoh teaches us to look for answers not in words, but in what is hidden in the body.My paintings are born out of the sensations I experience through movement. I shoot intuitive dances, allowing the body to express emotions freely without thinking about the outcome. Each still frame becomes a frozen moment that I translate into a drawing and then into a painting. These frozen poses are not just images, but emotional experiences that become part of my work.
In today's world, when we so often forget to listen to ourselves, I find importance in rediscovering this channel - the body. And I'm curious: when was the last time you listened to your body? What feelings or desires is it hiding? How often do you give yourself the opportunity to just be rather than do?
I've added videos to the carousel where there's no beauty or aesthetics, but there is honesty. Personally, I was raised that you can't show your emotions, it's very uncomfortable for other people. So far I'm afraid to go in that direction, so far I've used light experiences or pleasant feelings. But I see that not manifesting strong emotions kind of freezes life.