VERS LA LIBERTE (2016) Painting by Mireille Matricon

Name: ARTMAJEUR
Brand: ARTMAJEUR
Rating: 4.9 (12664 reviews)

Original

Oil on Canvas, 27.6x27.6 in

$1,002.88

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Seller Mireille Matricon

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This artwork appears in 4 collections

Original Artwork Painting, Oil on Canvas

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 27.6in, Width 27.6in
Categories Paintings under $5,000 Abstract

About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly rich in oil for a solid and durable hanger. Technic Painting. Painting is an art form of painting on a surface by aesthetically applying colored [...]

Mireille Matricon

France

MON PARCOURS VERS LA PEINTURE. Dès mon plus jeune âge, j'ai eu l'envie, le besoin, de m'exprimer par le dessin et la couleur. A cinq ans, une petite boite de peinture accompagnée d’un album à colorier, un soir [...]

MON PARCOURS VERS LA PEINTURE
Dès mon plus jeune âge, j'ai eu l'envie, le besoin, de m'exprimer par le dessin et la couleur.
A cinq ans, une petite boite de peinture accompagnée d’un album à colorier, un soir de Noël, premier souvenir d’un plaisir intense à poser de la couleur. Mais il fallait alors faire très attention à ne pas dépasser les contours pour satisfaire les grands.
Lorsque plus tard, je décidai de me mettre plus sérieusement à la peinture, je me mis à la recherche d'un atelier qui me permettrait de dépasser ces contraintes. Cela prit du temps, mais je finis par trouver mon idéal.
Ces cours m'ont ainsi permis d'acquérir, au fil du temps, un moyen d'expression personnel, à travers lequel je tente de faire partager mes émotions, ma perception des êtres, des choses, des paysages, du figuratif à l'abstrait.
Depuis 2006, je participe à de nombreuses expositions.
Participer à des expositions, c'est s'exposer soi même, et avoir ainsi la vision de nos oeuvres à travers le regard des autres, ce qui pousse à aller toujours plus loin.
Pascal VINARDEL a écrit :
"Toute peinture n'est pas de la peinture. Entre peintres, on sait ce qui est peint et ce qui ne l'est pas. C'est de l'ordre de l'intuition artisanale, c'est de l'ordre du métier, de l'expérience sensible, de la mémoire.
Il est absurde de dire que la peinture est morte, aussi stupide que d'affirmer que notre langue n'a plus rien à dire sous prétexte qu'elle a plusieurs milliers d'années."