Endless force XXVII (2022) 绘画 由 Minseok Kang

丙烯在帆布上, 46x46 in
US$6,014
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发货地: 韩国 (盒子或纸箱包装) 在2天
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美术纸, 8x8 in
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这件作品是诬陷
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这件艺术品出现在2集
This story describes how the source of my power originates from the 'point of infinity,' containing a dark and furious force. The collision of this power triggers a physical explosion at great speed, giving rise to the creation of space and time. As a result, my pounding heartbeat and racing breath are concealed by white noise. The distorted figure [...]
This story describes how the source of my power originates from the 'point of infinity,' containing a dark and furious force. The collision of this power triggers a physical explosion at great speed, giving rise to the creation of space and time. As a result, my pounding heartbeat and racing breath are concealed by white noise. The distorted figure reflected in the mirror symbolizes the emergence of confusion and fear during this explosion, representing the Big Bang that dismantles everything, including intense light and boundless power. The powerful force and burning desire uncontrollably fragment into pieces. What remains is only the trace of that particular moment. Now, as a numb beast, my fear is embodied, dashing in parallel between the beginning and the end.

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BeginningSourcePowerInfinityCollision

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Born in South Korea in 1980, I have been passionate about expressing myself through car paintings since childhood. I viewed racing cars as the greatest human artwork, and pursued fine arts at Dong-A University, [...]

Born in South Korea in 1980, I have been passionate about expressing myself through car paintings since childhood. I viewed racing cars as the greatest human artwork, and pursued fine arts at Dong-A University, earning a Bachelor's degree in 2007 and a Master's degree in 2010. Over time, my artwork shifted from emphasizing external car beauty to portraying my unique style, incorporating elements of time, space, relationships, and culture.

Currently, I depict distorted car shapes symbolizing the modern generation's pursuit of happiness and self-made paths amid fierce competition. Using acrylics, I employ a technique of scraping paint with a squeegee, and incorporate embroidery for artificial straight lines, speed, and temporal shapes.

Since 2023, I have delved into media art and 3D works via NFT art. In the 'Shape of Sweet Memories' project, I collect leftover paint fragments to create ice cream filmed in a video, then produce it as NFT art. Additionally, I engage in sculpture work.

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